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From Straight A's to XXX (2017) [PG-13]

Release Date:
February 11, 2017

Original Title:
From Straight A's to XXX

Alternate Titles:
Aluna Exemplar e Estrela Pornô
De l'eXcellence à l'indécence
Mindent a jelesért - Egy felnőttfilmes igaz története
Straight A's
Из отличницы в порнозвезду

Genres:
Drama | TV Movie

Production Companies:
Just Singer Entertainment
La Femme Erotic
Lifetime
Sepia Films

Production Countries:
Canada | Netherlands | United States of America

Ratings / Certifications:
FR: 10  HU: 16  US: PG-13 

Runtime: 87

Inspired by a true story

Overview from TheMovieDB

When a change of circumstances leaves Miriam unable to pay her college tuition, she makes a surprising decision: to start performing in adult films, using the pseudonym Belle Knox. Miriam lies to her family and her friends at school, keeping her double life a secret. But soon rumours spread and Miriam becomes the subject of vicious online attacks and unwanted attention. Miriam fights back: she talks to the media, saying her new line of work empowers her as a feminist. But her confident stand has unintended consequences. Miriam is shunned by her conservative family and her colleagues in the adult film world. One impulsive decision has quickly spiralled out of control - and Miriam's problems are just beginning.

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Additional information:

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Performers

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Production

"A" Camera Operator:
Christopher Charles Kempinski

"B" Camera Operator:
Jay Glennan

ADR Mixer:
May Guimarães

Accountant:
Maddy Eagen

Art Department Coordinator:
Mike Thornquist

Art Direction:
Leon Sher

Assistant Accountant:
Nicola Eagen

Assistant Costume Designer:
Eira Alexandra Kottmeier

Assistant Director Trainee:
Damion Harper

Assistant Editor:
Alli MacKay

Assistant Hairstylist:
Alysha McLoughlin

Assistant Location Manager:
Garrett VanDusen

Assistant Makeup Artist:
Samantha Burke

Assistant Property Master:
Kaayla Whachell

Assistant Set Decoration:
Amanda Teo

Assistant Sound Editor:
Darryl Isaacs
Tony Rodney

Associate Producer:
John Bolton
Anne-Marie Hess

Audio Post Coordinator:
Laurie Melhus

Best Boy Grip:
Ritchie Lyon
Vincent Oosterhof

Boom Operator:
Anton Thomas
Albert Chan

Camera Operator:
Jay Clennan

Casting:
Catharine Falcon
Paul Weber
Bim Narine

Casting Assistant:
Bri Neal

Chef:
Dave Carlson
Eduardo Canchola

Colorist:
Andrea Dixon

Costume Design:
Liene Dobrāja

Costume Set Supervisor:
Adam Reinsma

Costumer:
Cassandra Shier
Mia Fiddis

Craft Service:
Melissa Muller

Digital Imaging Technician:
Dmitry Burenok

Director:
Vanessa Parise

Director of Photography:
Bruce Worrall

Dolly Grip:
Miguel Helu Lopez

Driver:
Jim Omphrey
Manjot Buttar
Craig Mathers
Benot Matias
Mike Priddy
Andrew Mafflang

Editor:
Rob Grant

Epk Producer:
Jesse Copeland

Executive Producer:
Sheri Singer

First Assistant "A" Camera:
Christian Cummins

First Assistant "B" Camera:
Adrien Cote

First Assistant Director:
Derek Filiatrault

First Assistant Editor:
Sean Flotre

First Assistant Production Coordinator:
Natalie Miles

Foley Artist:
Shane Shemko
Elaine Stef

Foley Mixer:
Kevin Morales

Gaffer:
Chris Tobiesen

Generator Operator:
Jim Malmgren

Grip:
Morgan Schmidt
Sean Fidler

Key Grip:
Björn Hermannes

Key Hair Stylist:
Miranda Upton

Key Makeup Artist:
Jessica Crippen

Key Production Assistant:
Trevor Hinuz

Location Manager:
Shane Lennox

On Set Dresser:
David Pfrimmer

On Set Props:
Joshua Callagan

Online Editor:
Jay Harada

Original Music Composer:
Justin R. Durban

Other:
Alyssa Biller
Josh Havelka
Daniel Howard
Kelso Lenz

Post Production Coordinator:
Jesse Copeland

Post Production Supervisor:
Paul Lowey

Producer:
Tina Pehme
Kim Roberts

Producer's Assistant:
Ellen Curham

Production Accountant:
Virginia Prasad

Production Assistant:
Illiana Martinez
Kai Williams
Millan Tesfazgi
Michelle O'Rourke
Elisha Matic
Blair Mercer
Dustin Garrett
Sara Soares

Production Consultant:
Gregory Victor

Production Coordinator:
Jessica Wadsworth

Production Design:
Eric Norlin

Production Manager:
Costa Vassos

Property Master:
Leon Sher

Script Supervisor:
Ben Johnstone
Krista Steele

Second Assistant "A" Camera:
Dan Funk

Second Assistant "B" Camera:
Kevin Martells

Second Assistant Director:
Greg Polak

Second Assistant Production Coordinator:
Vanessa Pileggi

Security Coordinator:
Sean Hanlin

Set Decoration:
Brannoch Moon

Set Dresser:
Joe Hinks
Jovan Manimtim

Set Dressing Buyer:
Sam Kantrowiz

Sound Designer:
Ken Cade

Sound Effects Editor:
Kevin Barron

Sound Mixer:
Barton Hewett
Kelly Cole
Mark Angly

Sound Supervisor:
Matt Dawson

Still Photographer:
Bob Akester

Thanks:
Belle Knox

Third Assistant Director:
Andrew Suttar

Transportation Captain:
Derek Keillor

Transportation Coordinator:
Dean Fitzpatrick

Truck Costumer:
Stephanie Mawdsley

Visual Effects:
Kyle Richtsfeld
Tianlun Jiang

Visual Effects Supervisor:
Mike Ritchie

Writer:
Anne-Marie Hess

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.