A work in constant progress (and occasional regress).
Release Date:
February 11, 2017
Original Title:
El teatro de la desaparición
Production Countries:
Argentina | South Korea
Ratings / Certifications:
N/A
Runtime: 120
The first part is like a postcard from a realm almost too surreal to be true, a study of daily life in the demilitarised zone between North and South Korea flecked with such unusual details that not all of them can be real. The second part manipulates time, a wordless portrait of clay vessels being produced in Morocco that slows down and speeds up without warning, imbuing unspectacular actions with detachment and wonder. The third part distorts space, a hand camera tour that moves through apparently connected locations as if carrying out a single movement, although these industrial facilities, cityscapes, meadows and exhibition spaces are not side by side but scattered across the globe.
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.