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A Dash of Love (2017) [N/A]

Release Date:
February 11, 2017

Original Title:
A Dash of Love

Alternate Titles:
A Pinch of Love
Pitada do Amor

Genres:
Romance | TV Movie

Production Companies:
Hallmark Media
Storybox Entertainment
Two 4 The Money Media

Production Countries:
Canada | United States of America

Ratings / Certifications:
 N/A

Runtime: 84

Overview from TheMovieDB

A young woman who dreams of opening her own restaurant lands a job at a prominent restaurant whose head chef becomes her unlikely ally when the restaurant's unscrupulous owner, a Master Chef herself, plots to return the place to its former glory by presenting her new assistant's recipes as her own.

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Performers

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Production

"A" Camera Operator:
Vlad Horodinca

"B" Camera Operator:
Nathan McTague

ADR & Dubbing:
Aaron Southerland

Assistant Editor:
Revan Caluta

Assistant Location Manager:
Laura Irvine
Joel De Pourco

Assistant Production Coordinator:
Sam Schleifer

Assistant Property Master:
Whitney Friesen

Assistant Set Decoration:
Lou Johnson

Assistant Sound Editor:
Sean Szutka

Best Boy Electric:
Rob Cotroneo

Best Boy Grip:
Gordon Fairclough

Boom Operator:
Milad Manzoori

Cableman:
Alex Serpas-Lopez

Camera Loader:
Shannon Zawartka

Camera Trainee:
Bobby Demian
Morgan Schmidt-Feng

Casting:
Jackie Lind

Casting Assistant:
Andrea Ware

Casting Associate:
Natalye Vivian

Color Designer:
Lorne Wright

Colorist:
Lorne Wright

Costume Design:
Stacey Bradder

Costume Set Supervisor:
Daniela Paez

Craft Service:
Lisa Ahlers

Dialogue Editor:
Eric Mouawad

Director:
Christie Will Wolf

Director of Photography:
Eric J. Goldstein

Dolly Grip:
Corey Benoit

Editor:
Ron Yoshida

Executive Producer:
Kim Arnott

First Assistant "A" Camera:
Dustin Chouinard
Barry Newton

First Assistant "B" Camera:
Dustin Chouinard
Alexandre Robichaud
Christian Cummins

First Assistant Director:
Shamess Shute

First Assistant Editor:
James Lawson

Foley Artist:
Don Harrison
Ian Mackie

Foley Recording Engineer:
Rick Senechal

Gaffer:
Rory Soderman

Generator Operator:
Monty Black

Grip:
Lane Fellardeau
Todd Daulby
Chad Bretschneider

Hairstylist:
Francesca Cervellin

Key Grip:
Jeff Smith

Key Hair Stylist:
Deja Marie Iannone

Key Makeup Artist:
Trudy Parisien

Lighting Technician:
Cory Bisson
Clyde Harrelson
Brady Soderman

Line Producer:
Chris Wilson

Location Manager:
Clayton Carroll

Makeup Artist:
Mary Phan

Music:
James Jandrisch

Music Coordinator:
Sian O'Byrne

Music Supervisor:
Valerie Biggin

Online Editor:
Lorne Wright

Payroll Accountant:
Rylan Korberg

Post Production Coordinator:
Aleta Wilson

Post Production Supervisor:
Dawn Knight

Producer:
Kim Arnott

Production Accountant:
Jaime Peters

Production Coordinator:
Ron Pachkowski

Production Design:
Brian Davie

Production Manager:
Chris Wilson

Property Master:
Ron McCall

Script Supervisor:
Anita Reilly McGee

Second Assistant "A" Camera:
Olivia Dhimitri

Second Assistant "B" Camera:
Alex Lutzmann
Paola Cernicchiaro
Gabe Boyko

Second Assistant Director:
Gail Luining
Gurjit Chohan

Set Decorating Coordinator:
Stephanie Pink

Set Decoration:
Gail Luining

Set Dresser:
Tim Hill
Michaela Stebbe
Andrew Christopher Reeves
Chad Bretschneider

Sound Designer:
Don Mann

Sound Effects Editor:
Gregorio Gómez
Don Mann

Sound Mixer:
Kenny Lee

Sound Re-Recording Mixer:
Angelo Nicoloyannis
Craig George

Still Photographer:
Bettina Strauss

Story:
Sib Ventress

Supervising Producer:
Dawn Knight

Teleplay:
Judith Berg
Sandra Berg

Third Assistant Director:
Chander Nag
Nathan Kay

Transportation Captain:
Ghilas Aiteur

Transportation Coordinator:
Dean Fitzpatrick

Truck Costumer:
Melissa Sharon David
Megan Dunn

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.