A work in constant progress (and occasional regress).
Featuring:
Violet Horner, Louise Rial, Walter Miller
Written by:
Herbert Brenon
Émile Zola
Directed by:
Kenean Buel
Release Date:
March 5, 1916
Original Title:
The Marble Heart
Genres:
Drama
Production Companies:
Fox Film Company
Production Countries:
United States of America
Ratings / Certifications:
US: NR
Runtime: 50
Therese Roger, daughter of a West Indian planter, whose parents are murdered while she is a baby, becomes the adopted daughter of her aunt, Madame Roger, keeper of a haberdashery shop in one of the smaller villages in southern France. She grows up with Camille, Madame Roger's son, a sickly, sexless creature, whom she ultimately marries in deference to her aunt's wishes.
Therese Roger, daughter of a West Indian planter, whose parents are murdered while she is a baby, becomes the adopted daughter of her aunt, Madame Roger, keeper of a haberdashery shop in one of the smaller villages in southern France. She grows up with Camille, Madame Roger's son, a sickly, sexless creature, whom she ultimately marries in deference to her aunt's wishes. The monotony of Therese's married life tells on her. The uninteresting Camille each day drones out his existence in an office. At night he returns ever at the same hour, ever in the same enfeebled health and depressed spirits. Two neighbors, Dr. Gribet and Michaud, the latter prefect of police, drop into the Roger household for their weekly game of dominoes with Madame Roger. Suzanna, daughter of Dr. Grivet and Oliver, son of Michaud, who are in love, call frequently on the aged Madame Roger to pay their respects. Therese, full of youth and life, tires of her environment and its unchanging cycle of events. Camille collapses one day at the office and is brought home by his friend, Laurant. The latter, who is the opposite of Camille, meets Therese. They are attracted to each other and when Laurant becomes a frequent visitor at the Roger home a liaison develops between him and Therese. In Camille they see the only obstacle to their happiness. The two evil lovers decide to kill the husband. Soon an opportunity presents itself and they drown Camille. They manage to escape suspicion from the murdered man's mother and in course of time marry each other with the old woman's consent. But they have not attained the happiness which they thought would be theirs with Camille out of the way, for their crime haunts them. It shows in their faces. It stalks through their home. It leads them into quarreling with each other. During one of their stormy scenes they are overheard by Madame Roger, who becomes stricken with paralysis and the total loss of speech upon learning how her son died. The helpless old mother gloats over the torture which Therese and Laurant suffer from their consciences. In time, when guests are present, she tries to write her accusation of them upon the tablecloth with the edge of a domino, but her fingers cannot complete the sentence. She sees distrust continue to grow between the unhappy pair. Therese and Laurant plan to kill each other, but both are too-great cowards to add a new crime to their records, and they drink poison together, paying at last with their own lives for their earlier crime.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.