A work in constant progress (and occasional regress).
Featuring:
Matt Day, Rhondda Findleton, Anthony Hayes
Written by:
Robert Carter
Directed by:
Robert Carter
Release Date:
March 4, 1999
Original Title:
The Sugar Factory
Ratings / Certifications:
N/A
Runtime: 91
With his distinctive voice and unusual view of life, Harris takes us through his story: a harrowing journey of humour, grief, resolution and redemption. Harris, as a child of five, sits underneath his house amongst the cobwebs making 'sugar' by pounding sandstone rocks into fine grains and wrapping them into bags. Harris at 17 falls in love with Helen and when a tragic accident leads to a breakdown he ends up at 'The Cottage'... Thrust up against the lives of other innocent victims, Harris begins to make sense of his own guilt, grief and the secret of his past.
Harris becomes smitten with Helen, a divorced woman with two children, who allows him to babysit her kids. While in his charge, the little girl hides in a refrigerator during a game of hide-and-seek. Devastated, Harris is sent to a house for disturbed teens, where he meets Angela. Helped by psychiatrist Sam, Harris eventually comes to terms with his demons.
Assistant Editor:
Phil Messerer
Assistant Grip:
Donovan Norgard
Adrian Rose
Clapper Loader:
Nick Watt
Continuity:
Lynn-Maree Danzey
Director:
Robert Carter
Director of Photography:
Andrew Lesnie
Editor:
Wayne LeClos
First Assistant Director:
Jamie Crooks
Focus Puller:
Colin Deane
Key Grip:
Robin Morgan
Second Assistant Director:
James McTeigue
Still Photographer:
Simon Cardwell
Stunt Coordinator:
Spike Cherrie
Stunt Double:
Nash Edgerton
Third Assistant Director:
Noni Roy
Visual Effects:
Roger Cowland
Writer:
Robert Carter
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.