A work in constant progress (and occasional regress).
Release Date:
December 1, 2009
Original Title:
Eurostar: Brussels to London St Pancras
Genres:
Documentary
Production Companies:
Video 125
Production Countries:
United Kingdom
Ratings / Certifications:
N/A
Runtime: 120
Unprecedented cooperation from Eurostar enabled Video 125 cameras to film a high speed journey from the Capital of Belgium to the Capital of England via the Channel Tunnel. Riding with the driver at speeds of up to 300 kilometres an hour, or 186 miles an hour, is an exhilarating experience. Just click on the preview to see what we mean. The entire route is shown in virtual real time.* As well as calling at Lille Europe and Ebbsfleet International, we follow our class 373's progress from the five control centres which are responsible for our train as it passes through Belgium, France, the Channel Tunnel and England. There are two bonus features: Temple Mills Depot, opened in time for the start of services into St Pancras. Comings and goings at Brussels Midi. While our cameras were set up on the platform we filmed a dozen or more trains to show the diversity of traction and rolling stock.
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Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.