A work in constant progress (and occasional regress).
Release Date:
August 6, 2016
Original Title:
劇場版 仮面ライダーゴースト: 100の眼魂とゴースト運命の瞬間
Alternate Titles:
Gekijou Ban Kamenraidaa Goosuto 100 No Me Tamashii To Goosuto Unmei No Shunkan
Gekijou ban Kamenraida-Go-Suto 100 No Me Tamashii To Go-Suto Unmei No Shunkan
GekijouBan Kamenraidaa Goosuto 100 No Me Tamashii To Goosuto Unmei No Shunkan
Gekijouban Kamenraida-Go-Suto 100 No Me Tamashii To Go-Suto Unmei No Shunkan
Gekijō-ban Kamen Raidā Gōsuto: Hyaku no Eyecon to Gōsuto Unmei no Toki
Gekijōban Kamen Raidā Gōsuto Hyaku no Aikon to Gōsuto Unmei no Toki
Kamen Rider Ghost the Movie: 100 Eyecons and Ghost's Moment of Destiny
Kamen Rider Ghost: The 100 Eyecons and Ghost's Fated Moment
Genres:
Action | Adventure | Drama | Fantasy | Science Fiction
Production Companies:
Asatsu-DK
Toei Company
Toei TV Production
劇場版「ゴースト・ジュウオウジャー」製作委員会
Production Countries:
Japan
Ratings / Certifications:
N/A
Runtime: 55
After chasing the mysterious Kamen Rider Dark Ghost, who had suddenly appeared, Takeru Tenkuji arrives at a strange village full of historical figures. Attempting to gather 100 Eyecons, Alain’s dead brother Argos - Kamen Rider Dark Ghost - wishes to create the Ultimate Eyecon and turn everyone on Earth into ghosts. Meanwhile, Makoto’s father Daigo Fukami is seen in the village. Transforming into Kamen Rider Zero Specter, is Daigo an ally or an enemy?
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Action Director:
Takeshi Miyazaki
Director:
Satoshi Morota
Director of Photography:
Koji Kurata
Editor:
Hiroshi Sunaga
Executive Producer:
Motoi Sasaki
Original Concept:
Shotaro Ishinomori
Original Music Composer:
Go Sakabe
Producer:
Kazuhiro Takahashi
Ayumi Kanno
Screenplay:
Takuro Fukuda
Theme Song Performance:
Kishidan
Writer:
Takuro Fukuda
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.