A work in constant progress (and occasional regress).
Release Date:
January 14, 2017
Original Title:
Open Marriage
Alternate Titles:
To Have and to Kill
Genres:
TV Movie | Thriller
Production Companies:
Lifetime
MarVista Entertainment
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 87
Becca and Ron's marriage is in a rut; it's been months since they've been intimate. When their friends Mindy and Max tell them they've been experimenting with an open marriage and it's done wonders, Becca and Ron are reluctant to the idea. But they can't deny their curiosity and the two couples switch partners for a night of wild pleasure.
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ADR Recordist:
Glen Frazier
Art Direction:
Theresa Corvino
Assistant Makeup Artist:
Adina Sullivan
Laura Raczka
Casting:
Lindsay Chag
Co-Executive Producer:
Marguerite Henry
Costume Design:
Helena Falangus
Costumer:
Brooke Mulkins
Dialogue Editor:
John Creed
Director:
Sam Irvin
Director of Photography:
Theo Angell
Editor:
James Kondelik
Executive Producer:
Fernando Szew
Sharon Bordas
Executive Producer's Assistant:
Maggie McFarren
Gaffer:
Philip Roxas
Key Grip:
Justin Bernard
Key Makeup Artist:
Megan Nicoll
Makeup Artist:
Megan Nicoll
Music Supervisor:
Marguerite Henry
On Set Dresser:
Stephen Schley
Original Music Composer:
Nick Soole
Producer:
Kimberly A. Ray
Production Design:
Lianna DiRocco
Production Sound Mixer:
Keith G. Little
Production Supervisor:
John Stecenko
Property Master:
Zachary Paraskeva
Script Supervisor:
Sarah Willgrube
Sound Effects Editor:
Leandro Cassan
Sound Mixer:
Matt Thompson
Sound Re-Recording Mixer:
Karol Urban
Still Photographer:
Jack L. Zeman
Lara Solanki
Stunt Coordinator:
Sean Christopher
Transportation Coordinator:
Adina Valenzuela
Unit Production Manager:
Xavier S. Puslowski
Marc Barnes
VFX Supervisor:
Gary Jones
Visual Effects:
Gary Jones
Writer:
Jason Byers
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.