A work in constant progress (and occasional regress).
Release Date:
January 21, 2017
Original Title:
The Birthday Wish
Genres:
Romance | TV Movie
Production Countries:
United States of America
Ratings / Certifications:
US: G
Runtime: 84
A woman expecting to get engaged on her all-important 30th birthday gets a different surprise after she makes her birthday wish: a glimpse into her future – which doesn’t resemble anything she’s ever imagined for herself.
"A" Camera Operator:
Sean Cox
"B" Camera Operator:
David Tenniswood
Assistant Accountant:
Susan Messent
Assistant Costume Designer:
Annie Garnett
Taylor Stan
Assistant Editor:
Amanda Colquhoun
Saeed Vahidi
Assistant Location Manager:
Eddie Farfan
Assistant Makeup Artist:
Jessica De-Palma
Assistant Production Coordinator:
Sam Marshall
Chase Brettoner
Laura Obenaus
Assistant Property Master:
Haley Pearse
Assistant Set Decoration:
Jade Bovers
Assistant Sound Editor:
Sean Szutka
Associate Producer:
Darren Giblin
Michael Shepard
Best Boy Electric:
Knesha Yu
Best Boy Grip:
Keith Granger
Boom Operator:
Eric Weisner
Casting:
Jackie Lind
Casting Associate:
Natalye Vivian
Colorist:
Jimmy Hsu
Costume Designer:
Odessa Bennett
Costume Set Supervisor:
Taylor Stan
Craft Service:
Karen Coderre
Dialogue Editor:
Aaron Olson
Director:
Peter DeLuise
Director of Photography:
Randal Platt
Dolly Grip:
Steve Mieszkalski
Paul Heman
Editor:
Rick Martin
Executive Producer:
Jean Abounader
Peter DeLuise
Extras Casting:
Sara Brown
Extras Casting Assistant:
Rachel Klinosky
First Assistant "A" Camera:
Jenna Fuoco
First Assistant "B" Camera:
Izaiah Kane
First Assistant Director:
Bill Mizel
Foley Artist:
Don Harrison
Ian Mackie
Foley Recording Engineer:
Rick Senechal
Gaffer:
Geoff Dane
Hairstylist:
Cristina Woods
Key Grip:
Corey Tremblay
Key Hair Stylist:
Shaylean Smith Gillespie
Key Makeup Artist:
Tracy George
Location Manager:
Nancy Larman
Music:
Christopher Nickel
Music Coordinator:
Sian O'Byrne
Music Supervisor:
Valerie Biggin
Online Editor:
Cassandra Yaseniuk
Payroll Accountant:
Heather Trimble
Post Production Coordinator:
Nikki Lee
Post Production Supervisor:
Jason Macintyre
Producer:
Harvey Kahn
Jean Abounader
Production Accountant:
Svatia Sakarova
Production Controller:
Marnie Termuende
Production Coordinator:
Yale Kussin
Production Design:
Jill Scott
Production Manager:
Catherine Kretz
Production Sound Mixer:
Tad Nazar
Property Master:
John Morstad
Props:
Malika Montague
Script Supervisor:
Holly Atchison
Second Assistant "A" Camera:
Luke Hylands
Second Assistant "B" Camera:
Steven Singh
Second Assistant Director:
Sarah Rogers
Security Coordinator:
Sean Hanlin
Set Decoration:
Jacqueline Miller
Set Dresser:
Mathew Drummond
Jonathan Peter Fill
Sound Designer:
Ryan Thompson
Sound Re-Recording Mixer:
Greg Stewart
Ryan Thompson
Special Effects Coordinator:
Darcy Davis
Steadicam Operator:
David Tenniswood
Stunt Coordinator:
Brett Armstrong
Supervising Producer:
Marnie Termuende
Catherine Kretz
Third Assistant Director:
Erez T. Yanuv Barzilay
Transportation Captain:
Stefano Chimarios
Transportation Coordinator:
Dean Fitzpatrick
Truck Costumer:
Mai Truong
Visual Effects Supervisor:
Barry Liu
Writer:
Julie Sherman Wolfe
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.