A work in constant progress (and occasional regress).
Release Date:
September 28, 1950
Original Title:
Born to Be Bad
Alternate Titles:
A Deusa do Mal
Alma Sem Pudor
Dålig flicka
Født umoralsk
La femme aux maléfices
Syntynyt pahaksi
Zla od urodzenia
Genres:
Drama
Production Companies:
RKO Radio Pictures
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 94
Christabel Caine has the face of angel and the heart of a swamp rat. She'll step on anyone to get what she wants, including her own family. A master of manipulation, she covertly breaks off the engagement of her trusting cousin, Donna, to her fabulously wealthy beau, Curtis Carey. Once married to Curtis herself, Christabel continues her affair with novelist Nick Bradley, who knows she's evil, but loves her anyway.
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Adaptation:
Charles Schnee
Additional Dialogue:
Robert Soderberg
George Oppenheimer
Additional Director of Photography:
Harry J. Wild
Sam De Grasse
Clifford Stine
Art Direction:
Jack Okey
Albert S. D'Agostino
Assistant Director:
Fred Fleck
Camera Operator:
Fred Bentley
Costume Design:
Michael Woulfe
Hattie Carnegie
Dialogue Coach:
Rod Amateau
Director:
Nicholas Ray
Director of Photography:
Nicholas Musuraca
Editor:
Frederic Knudtson
Executive Producer:
Sid Rogell
Gaffer:
Orville Beckett
Grip:
Tom Clement
Hairstylist:
Ruby Felker
Makeup Artist:
Bill Phillips
Makeup Department Head:
Mel Berns
Makeup Supervisor:
Gordon Bau
Music Director:
C. Bakaleinikoff
Novel:
Anne Parrish
Original Music Composer:
Friedrich Hollaender
Other:
Joan Joseff
Producer:
Robert Sparks
Screenplay:
Edith R. Sommer
Script Supervisor:
Mercy Weireter
Set Decoration:
Darrell Silvera
Harley Miller
Sound:
Phil Brigandi
Clem Portman
Earl B. Mounce
Still Photographer:
Alexander Kahle
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.