A work in constant progress (and occasional regress).
Release Date:
September 27, 1952
Original Title:
Lo sceicco bianco
Alternate Titles:
Courrier du coeur
De witte cheik
De witte sjeik
Der weiße Scheich
El sheik
Le Cheik blanc
Le scheik blanc
Mi mujer me es infiel
Белый шейх
Genres:
Comedy | Romance
Production Companies:
Organizzazione Film Internazionali (OFI)
Produzione Distribuzione Cinematografica (P.D.C.)
Production Countries:
Italy
Ratings / Certifications:
AR: +16 BR: L DE: 16 FR: TP IT: T NL: AL|6 US: NR
Runtime: 83
In Italy, small-town newlyweds Wanda and Ivan Cavalli embark on their honeymoon in the big city of Rome. Ivan dutifully wants to keep appointments with family and church, but Wanda is only interested in meeting her favorite photo-strip star known as "The White Sheik". While Wanda impetuously sneaks away to locate the object of her affections, disconsolate Ivan tries his hardest to keep up appearances with the couple's relatives.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Art Direction:
Raffaello Tolfo
Assistant Director:
Stefano Ubezio
Camera Operator:
Antonio Belviso
Conductor:
Fernando Previtali
Director:
Federico Fellini
Director of Photography:
Arturo Gallea
Editor:
Rolando Benedetti
Makeup Artist:
Franco Titi
Original Music Composer:
Nino Rota
Producer:
Luigi Rovere
Production Manager:
Enzo Provenzale
Production Secretary:
Renato Panetuzzi
Production Supervisor:
Antonio Greco
Vincenzo Taito
Screenplay:
Federico Fellini
Tullio Pinelli
Ennio Flaiano
Script Supervisor:
Moraldo Rossi
Sound:
Walfrido Traversari
Armando Grilli
Still Photographer:
Osvaldo Civirani
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.