A work in constant progress (and occasional regress).
Release Date:
March 1, 2019
Original Title:
The Aftermath
Alternate Titles:
Coeurs ennemis
Viviendo con el Enemigo
애프터매스
Genres:
Drama | Romance | War
Production Companies:
Amusement Park Films
Fox Searchlight Pictures
Scott Free Productions
Production Countries:
Germany | United Kingdom | United States of America
Ratings / Certifications:
AT: 12 BR: 12 CZ: 15+ DE: 12 ES: 12 FR: U|16 GB: 15 HU: 16 IE: 15A NL: 16|12 PL: 18 RU: 18+ SK: 12 TW: 輔12 US: R
Runtime: 108
In the aftermath of World War II, a British colonel and his wife are assigned to live in Hamburg during the post-war reconstruction, but tensions arise with the German widower who lives with them.
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ADR Mixer:
Adrian Furdui
Additional Hairstylist:
Miriam Hübner
Additional Photography:
Juliana Malucelli
Art Department Coordinator:
Katerina van Gemundova
Art Direction:
Jiri Matura
Matthias Klemme
Seth Turner
Assistant Art Director:
Tomas Bilina
Assistant Sound Editor:
Oskar von Unge
Associate Producer:
Pavel Muller
Boom Operator:
Peter Brücklmair
CG Supervisor:
Mark Stuart Bailey
Camera Operator:
Simon Veroneg
Casting:
Nina Gold
Arwa Salmanova
Casting Assistant:
Amal El-Farfachi
Casting Associate:
Martin Ware
Colorist:
Simon Veroneg
Compositor:
Alexander Griffin
Construction Manager:
Michal Sula
Costume Coordinator:
Luka Antonić
Costume Design:
Bojana Nikitović
Digital Intermediate:
Maria Chamberlain
Rob Farris
Digital Intermediate Assistant:
Georgina Cranmer
Finlay Reid
Lawrence Hook
Digital Intermediate Producer:
Shaun Richards
Director:
James Kent
Director of Photography:
Franz Lustig
Editor:
Beverley Mills
Electrician:
Philip Eickelberg
Armin Sieghart
Dirk Siehlmann
Stefan Bräsen
Felix Weddige
Daniel Zeitler
Executive Producer:
Joe Oppenheimer
Carlo Dusi
First Assistant Camera:
Orit Teply
Daniel Erb
First Assistant Director:
Nige Watson
First Assistant Editor:
Charlie Thorne
Foley Artist:
Barnaby Smyth
Foley Editor:
Rob Turner
Foley Mixer:
Keith Partridge
Gaffer:
Florian Kronenberger
Martin Granilla
Graphic Designer:
Barbara Sandberg
Tina Charad
Hair Designer:
Barbara Kreuzer
Hairdresser:
Jeanette Kellermann
Head of Production:
David Greenbaum
Key Grip:
Jan Brun
Leadman:
Petr Marousek
Line Producer:
Sarah Wheale
Makeup & Hair:
Ivana Němcová
Simona Hemmyová
Zuzana Hubingerová
Radek Petr
Alexandra Lebedynski
Makeup Designer:
Barbara Kreuzer
Music Editor:
Al Green
Novel:
Rhidian Brook
Online Editor:
Daniel Tomlinson
Original Music Composer:
Martin Phipps
Producer:
Malte Grunert
Jack Arbuthnott
Ridley Scott
Production Design:
Sonja Klaus
Screenplay:
Anna Waterhouse
Joe Shrapnel
Second Assistant Camera:
Filip Šturmankin
Martin Dedek
Second Assistant Director:
Nikki Molloy
Set Designer:
Pavel Vojtisek
Set Dresser:
Francesc Masso
Lolita Hindenberg
Sound Effects Editor:
Rob Prynne
Sound Mix Technician:
Robbie Scott
Rachel Park
Sound Mixer:
Roland Winke
Sound Re-Recording Mixer:
Paul Cotterell
Steadicam Operator:
Florian Klos
Mark Rimmer
Still Photographer:
David Appleby
Stunt Coordinator:
Tomas Rydval
Stunt Double:
Marek Brichcin
Stunt Driver:
Jindřich Klaus
Martin Semerád
Stunts:
Matous Brichcin
Supervising Art Director:
Lucienne Suren
Tailor:
Conny Frei
Title Designer:
Matt Curtis
Unit Publicist:
Emma Davie
Visual Effects Coordinator:
Louise Brabrand
Visual Effects Producer:
Jennifer Thompson
Visual Effects Supervisor:
John Lockwood
Sebastian Barker
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.