A work in constant progress (and occasional regress).
Release Date:
October 25, 2017
Original Title:
Au revoir là-haut
Alternate Titles:
Até Nos Vermos Lá em Cima
Bakom masken
La revedere acolo sus
Lehitraot sham le'malla
Näkemiin taivaassa
Tian shang zai jian
天国でまた会おう
Genres:
Crime | Drama | War
Production Companies:
Canal+
Ciné+
Entourage Pictures
France 2 Cinéma
France Télévisions
Gaumont
Manchester Films
Stadenn Productions
Production Countries:
Canada | France
Ratings / Certifications:
CH: 12 CZ: 12+ DK: 15 ES: 12 FR: TP HU: 16 JP: PG12 NL: 16 RU: 16+ SE: 15 SK: 12
Runtime: 113
In November 1918, a few days before the Armistice, when Lieutenant Pradelle orders a senseless attack, he causes a useless disaster; but his outrageous act also binds the lives of two soldiers who have nothing more in common than the battlefield: Édouard saves Albert, although at a high cost. They become companions in misfortune who will attempt to survive in a changing world. Pradelle, in his own way, does the same.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Art Direction:
Gilles Iscan
Lilith Bekmezian
Casting:
Antoinette Boulat
Samia Fadli
Costume Design:
Mimi Lempicka
Director:
Albert Dupontel
Director of Photography:
Vincent Mathias
Editor:
Christophe Pinel
First Assistant Editor:
Carlos Pinto
Key Hair Stylist:
Frédérique Arguello
Key Makeup Artist:
Françoise Quilichini
Novel:
Pierre Lemaitre
Original Music Composer:
Christophe Julien
Producer:
Catherine Bozorgan
Production Design:
Pierre Quefféléan
Screenplay:
Albert Dupontel
Pierre Lemaitre
Sound:
Jean Minondo
Sound Editor:
Gurwal Coïc-Gallas
Sound Mixer:
Cyril Holtz
Damien Lazzerini
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.