A work in constant progress (and occasional regress).
Release Date:
November 30, 2016
Original Title:
O Porteiro do Dia
Alternate Titles:
The Daytime Doorman
Дневной консьерж
Genres:
Comedy | Romance
Production Companies:
Ponte Produções
Áspera Filmes
Production Countries:
Brazil
Ratings / Certifications:
BR: 18
Runtime: 25
After exchanging glances between "good mornings" and "good afternoons", Marcelo realizes it's time to try to go further with Márcio, the doorman in his building. Two worlds will collide through these men's bodies.
Art Direction:
Thales Junqueira
Co-Producer:
Silvia Cruz
Michael Wahrmann
Julia Alves
Costumer:
Rita Azevedo
Director:
Fábio Leal
Director of Photography:
Tiago Calazans
Editor:
André Valença
Producer:
Dora Amorim
Thaís Vidal
Screenplay:
Fábio Leal
Sound Editor:
Nicolau Domingues
Sound Mixer:
Nicolau Domingues
Sound Recordist:
Lucas Caminha
Story:
Rodrigo Almeida
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.