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One, Two, Three (1961) [NR]

Release Date:
December 15, 1961

Original Title:
One, Two, Three

Alternate Titles:
Een, twee, drie
Eins zwei drei
En, to, tre og et lillebitte hop
Ena... dyo... tria
Uno, Dos, Tres
Yks', kaks', kolme

Genres:
Comedy

Production Companies:
The Mirisch Company
United Artists

Production Countries:
United States of America

Ratings / Certifications:
BR: e 10  DE: 6  ES: APTA  US: NR 

Runtime: 109

Billy Wilder's Explosive New Comedy

Overview from TheMovieDB

C.R. MacNamara is a managing director for Coca Cola in West Berlin during the Cold War, just before the Wall is put up. When Scarlett, the rebellious daughter of his boss, comes to West Berlin, MacNamara has to look after her, but this turns out to be a difficult task when she reveals to be married to a communist.

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Performers

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Production

Art Direction:
Alexandre Trauner

Assistant Director:
Tom Pevsner

Associate Producer:
I. A. L. Diamond
Doane Harrison

Boom Operator:
John Brommage

Conductor:
André Previn

Continuity:
May Wale Brown

Director:
Billy Wilder

Director of Photography:
Daniel L. Fapp

Editor:
Daniel Mandell

Music Editor:
Richard Carruth

Original Music Composer:
André Previn

Producer:
Billy Wilder

Production Design:
Robert Stratil
Heinrich Weidemann
Alexandre Trauner

Production Manager:
Werner Fischer
William A. Calihan Jr.

Production Supervisor:
Conrad von Molo

Screenplay:
Billy Wilder
I. A. L. Diamond

Second Unit Director:
André Smagghe

Sound Designer:
Basil Fenton-Smith

Sound Effects Editor:
Del Harris

Special Effects:
Milt Rice

Still Photographer:
Lothar Winkler

Theatre Play:
Ferenc Molnár

Title Graphics:
Saul Bass

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.