A work in constant progress (and occasional regress).
Release Date:
May 17, 2017
Original Title:
Les Fantômes d'Ismaël
Alternate Titles:
Ismael's Ghosts
Ismaels Geister
Les Fantômes d’Ismaël
Призраки Измаила
이스마엘의 유령
Genres:
Drama | Mystery | Romance | Thriller
Production Companies:
Why Not Productions
Production Countries:
France
Ratings / Certifications:
FR: TP GB: 15 IE: 15 JP: G NL: 14 US: R
Runtime: 114
Just as the disheveled and alcoholic filmmaker Ismaël embarks on a difficult new film project, his life is sent into a tailspin. His wife Carlotta, presumed dead for 20 years, come crashing back into his life creating chaos in his work and his current romantic relationship with the starry-eyed astronomer Sylvia.
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Assistant Art Director:
Marion Pages Gonzalo
Clémence Janesky
Assistant Director:
Ivan Le Goff
Casting:
Alexandre Nazarian
Conductor:
James Shearman
Costume Supervisor:
Myriam Laraki
Digital Compositors:
Adrien Garcia
Director:
Arnaud Desplechin
Director of Photography:
Irina Lubtchansky
Electrician:
Nicolas Rapin
Camille Houguenague
Executive In Charge Of Production:
Hicham El Ghorfi
Executive Producer:
Oury Milshtein
First Assistant Camera:
Pierre-Hubert Martin
First Assistant Director:
Marion Dehaene
Hamza Boumalki
Gaffer:
Laurent Bourgeat
Grip:
François Dupuis
Thierry Ramanana
François-Xavier Walter
Key Grip:
Jacques Parmentier
Location Scout:
Gwenaëlle Duriaud
Music Supervisor:
Frédéric Junqua
Original Music Composer:
Grégoire Hetzel
Producer:
Vincent Maraval
Pascal Caucheteux
Production Design:
Toma Baquéni
Second Assistant Director:
Clémentine Castel
Sound:
Nicolas Cantin
Steadicam Operator:
Yves Michaud
Third Assistant Director:
Elise Lahouassa
Unit Production Manager:
Karine Petite
Visual Effects Coordinator:
Frederic Jupin
Visual Effects Supervisor:
Hugues Namur
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.