A work in constant progress (and occasional regress).
Release Date:
November 2, 1997
Original Title:
Cinderella
Alternate Titles:
Cenicienta
La légende de Cendrillon
Rodgers & Hammerstein's Cinderella
Rodgers and Hammerstein's Cinderella
Genres:
Family | Fantasy | Music | Romance | TV Movie
Production Companies:
BrownHouse Productions
Citadel Entertainment
Storyline Entertainment
Walt Disney Television
Production Countries:
United States of America
Ratings / Certifications:
BR: L US: G
Runtime: 88
Cinderella chafes under the cruelty of her wicked stepmother and her evil stepsisters, until her Fairy Godmother steps in to change her life for one unforgettable night. At the ball, she falls for handsome Prince Christopher, whose parents, King Maximillian and Queen Constantina, are anxious for him to find a suitable paramour.
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ADR Mixer:
Dean St. John
Additional Hairstylist:
Elizabeth Rabe
Animal Wrangler:
Corky Randall
Art Designer:
Francine Byrne
Art Direction:
Edward L. Rubin
Associate Producer:
Robyn Crawford
Paula S. Warner
Book:
Oscar Hammerstein II
Boom Operator:
Kevin Hyde
John Sheridan
Casting:
Valorie Massalas
Howard Meltzer
Casting Associate:
Robyn Owen Silvestri
Casting Director:
Stuart Howard
Howard Meltzer
Amy Schecter
Choreographer:
Rob Marshall
Carol Lee Meadows
Colorist:
Paul Lear
Conductor:
Paul Bogaev
Construction Coordinator:
Daniel Brewer
Construction Foreman:
Kent Kidman
Costume Design:
Ellen Mirojnick
Costume Illustrator:
Lois DeArmond
Costumer:
Ann Culotta
David Ferry
Linda Foole
Lillian Lanette Little
Dialogue Editor:
Dan Yale
Digital Effects Supervisor:
Stephen Brand
Director:
Robert Iscove
Director of Photography:
Ralf D. Bode
Dolly Grip:
Tim Collins
Editor:
Casey O. Rohrs
Tanya Swerling
Electrician:
Craig Kvinsland
Brian Webster
Executive In Charge Of Production:
Brenda K. Kyle
Executive Producer:
Debra Martin Chase
David R. Ginsburg
Neil Meron
Craig Zadan
Whitney Houston
Executive Producer's Assistant:
Laurie Badami
First Assistant Director:
Tyrone L. Mason
Victoria E. Rhodes
Paul Bode
Foley Editor:
Nancy MacLeod
Hairstylist:
Carla Farmer
Jennifer Guerrero-Mazursky
Kimberly Kimble
Ellin La Var
Julia L. Walker
Key Hair Stylist:
Lucia Mace
Lyricist:
Oscar Hammerstein II
Lorenz Hart
Makeup Artist:
Roxanna Floyd
Geneva Nash Morgan
Terrell Mullin
Lisa Nash-Jones
Dionne Smith
Judy Yonemoto
Karen Dahl
Music:
Wade Culbreath
Richard Rodgers
Oscar Hammerstein II
Music Arranger:
Doug Besterman
David Cullen
Martin Erskine
David Krane
Michael Starobin
Music Editor:
Richard Ford
Music Supervisor:
Paul Bogaev
On Set Dresser:
Cynthia C. Rebman
Original Music Composer:
Martin Erskine
Richard Rodgers
Danny Troob
Post Production Supervisor:
Miguel Ángel Poveda
Presenter:
Whitney Houston
Producer:
Mike Moder
Chris Montan
Production Coordinator:
Jennifer Good
Production Design:
Randy Ser
Props:
Renata Yvette Ray
Script Supervisor:
Nancy Karlin
Second Assistant Director:
Marge Piane
Set Decoration:
Julie Kaye Fanton
Set Designer:
Barbara Mesney
Hugo Santiago
Jason Weil
Ron Yates
Songs:
Richard Rodgers
Sound:
Bud Alper
Sound Re-Recording Mixer:
Konstantinos Linoxylakis
Terry O'Bright
Keith Rogers
Special Effects:
Timothy B. Graham
Special Effects Technician:
Wayne Burnes
Supervising Sound Editor:
Albert Gasser
Teleplay:
Robert L. Freedman
Transportation Coordinator:
Michael Forte
Unit Production Manager:
Mike Moder
Visual Effects Assistant Editor:
Christopher Reichel
Visual Effects Producer:
Loni Peristere
Visual Effects Supervisor:
Ralph Maiers
Vocal Coach:
Sam Kriger
Wardrobe Master:
Robin Borman-Wizan
Wardrobe Supervisor:
Michael Dennison
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.