A work in constant progress (and occasional regress).
Featuring:
Ennio Fantastichini, Arnoldo Foà, Roberto Herlitzka
Written by:
Francesco Maselli
Directed by:
Francesco Maselli
Release Date:
September 4, 2009
Original Title:
Le ombre rosse
Genres:
Drama
Production Companies:
Cattleya
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 91
An intellectual encounters a youth group that seeks social change.
A film about big ideas that fails at almost every level. A cornball analysis of bourgeois ambition, a barely achieved critique of neo-liberalism. The jokes fall flat and the leitmotif of a group of actors attempting to revive Hamlet is risible. Worst of all is the final sequence; a group of post-Marxists discussing in the most hackneyed manner the emergence of money culture while Berlusconi, both the man and his ethos, take over. Oh! and the coda... the group of idealists carry on regardless. Oh dear. This is the type of film that pretends to seriousness because its central characters are thinkers. The problem is I can't tell if this is a satire about the pretensions of the metropolitan chattering classes or if it really finds these people interesting.
Director:
Francesco Maselli
Story:
Francesco Maselli
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.