A work in constant progress (and occasional regress).
Release Date:
August 27, 1969
Original Title:
Medium Cool
Alternate Titles:
America, America, dove vai?
Chłodnym okiem
Det kalde kamera
Det kalla ögat
Dias de Fogo
Medium Cool (Chicago 68)
Objectif vérité
The Concrete Wilderness
Tunteeton silmä
Холодним поглядом
Холодным взором
アメリカを斬る
Genres:
Drama
Production Companies:
H&J Pictures, Inc.
Production Countries:
United States of America
Ratings / Certifications:
FI: K-16 FR: TP GB: 15 IT: T SE: 15 US: R
Runtime: 111
John Cassellis is the toughest TV news reporter around. After extensively reporting about violence and racial tensions in poor communities, he discovers that his network is helping the FBI by granting them access to his footage to find suspects.
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Art Direction:
Leon Ericksen
Assistant Camera:
Ron Vargas
Assistant Director:
Wendell Franklin
Erich von Stroheim Jr.
Assistant Editor:
Marcia Lucas
Associate Producer:
Michael Philip Butler
Steven North
Camera Operator:
Michael D. Margulies
Haskell Wexler
Director:
Haskell Wexler
Director of Photography:
Haskell Wexler
Editor:
Marcia Lucas
Verna Fields
Editorial Consultant:
Paul Golding
Gaffer:
Thomas Ryan
Line Producer:
Jonathan Haze
Original Music Composer:
Mike Bloomfield
Producer:
Tully Friedman
Haskell Wexler
Jerrold Wexler
Producer's Assistant:
Jonathan Haze
Production Assistant:
William Schwartz
Production Manager:
Jonathan Haze
Script Supervisor:
Meta Rebner
Sound:
Chris Newman
Sound Editor:
Kay Rose
Title Designer:
James Talbot
Writer:
Haskell Wexler
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.