A work in constant progress (and occasional regress).
Release Date:
December 14, 1995
Original Title:
Vacanze di Natale '95
Genres:
Comedy
Production Companies:
Filmauro
Production Countries:
Italy
Ratings / Certifications:
IT: T
Runtime: 96
Two Italians are on holiday in Aspen in Colorado. The first one is Lorenzo whose daughter is crazy about Luke Perry (Beverly Hills 90210 actor) and wants to meet him at all costs. The second one wants to win back his wife who has left him because of his gambling problem.
Administration:
Laura Cimarelli
Assistant Costume Designer:
Monica Trappolini
Assistant Editor:
Stefano Quaglia
Walter Diotallevi
Camera Operator:
Carlo Passari
Costume Design:
Nicoletta Ercole
Ezio Maria Bruno
Director:
Neri Parenti
Director of Photography:
Gianlorenzo Battaglia
Editor:
Sergio Montanari
Executive Producer:
Maurizio Amati
First Assistant Camera:
Andrea Doria
Adriano Giannini
First Assistant Director:
Germano Tarricone
Gaffer:
Maurizio Broglio
Hairstylist:
Rosa Luciani
Key Grip:
Cesare Emidi
Makeup Artist:
Pierantonio Mecacci
Original Music Composer:
Manuel De Sica
Producer:
Aurelio De Laurentiis
Production Accountant:
Carlo Caputo
Luciano Tartaglia
Daniela Pigliucci
Production Design:
Maria Stilde Ambruzzi
Production Manager:
Marcello Crescenzi
Production Secretary:
Elisabetta Bartolomei
Screenplay:
Neri Parenti
Script Supervisor:
Clarita Di Giovanni
Second Assistant Camera:
Danilo Grazzani
Set Decoration:
Patrizia Mancinelli
Sound:
Fulgenzio Ceccon
Sound Editor:
Riccardo Olasio
Sound Mixer:
Romano Pampaloni
Special Effects:
Giovanni Corridori
Aldo Frollini
Special Effects Technician:
Gino De Rossi
Claudio Quaglietti
Still Photographer:
Pierfrancesco Villaggio
Umberto Montiroli
Story:
Carlo Vanzina
Enrico Vanzina
Stunt Coordinator:
Dominique Perret
Unit Manager:
Antonio Gallo
Francesco Benvenuti
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.