A work in constant progress (and occasional regress).
Release Date:
January 8, 2017
Original Title:
Garage Sale Mystery: The Art of Murder
Alternate Titles:
Garage Sale Mystery: Art of Murder
Genres:
Mystery | TV Movie
Production Companies:
Axelrod-Ett Productions
Front Street Pictures
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 83
Jennifer Shannon is a garage sale shopping expert whose sharp observation skills allow her to uncover valuable antiques, as well as help her local police department investigate crimes. While arranging a charity garage sale event, Jennifer finds a body in the attic of a local residence. While working to crack the case, Jennifer offers support to her loving husband, Jason, whose upcoming birthday has sparked a mid-life crisis. As Jennifer prepares to buy him the perfect gift, she receives an urgent voicemail from Tina, pleading for her immediate assistance. When she responds, the garage sale-expert-turned-sleuth finds herself standing face-to-face with a killer.
"A" Camera Operator:
Jorge Montesi
"B" Camera Operator:
Sean Cox
Assistant Accountant:
Shary Sison-Paguio
Assistant Costume Designer:
Tory Class
Assistant Editor:
Blair Scott
Michael Jacobsen
Assistant Hairstylist:
Amanda Wolski
Assistant Location Manager:
Kelsey Fonda
Assistant Makeup Artist:
Amanda Imeson
Assistant Production Coordinator:
Laura Obenaus
Assistant Property Master:
Nicole La Greca
Assistant Set Decoration:
Sheldon Feyter
Best Boy Electric:
Knesha Yu
Best Boy Grip:
Connor Thorpe
Book:
Suzi Weinert
Boom Operator:
Eric Weisner
Casting:
Jackie Lind
Costume Designer:
Tina Fiorda
Craft Service:
Anastasia Sharpe
Dialogue Editor:
Roger Morris
Director:
Kristoffer Tabori
Director of Photography:
Randal Platt
Dolly Grip:
Adam Buhler
Editor:
Lara Mazur
Executive Producer:
Jonathan Axelrod
Lori Loughlin
Harvey Kahn
Alan Ett
Michael Shepard
Marnie Termuende
Extras Casting:
Sara Brown
First Assistant "A" Camera:
Jenna Fuoco
First Assistant "B" Camera:
Izaiah Kane
Foley:
Rick Senechal
Foley Artist:
Ian Mackie
Don Harrison
Gaffer:
Geoff Dane
Genetator Operator:
Rayne Holloway
Key Grip:
Corey Tremblay
Key Hair Stylist:
Kara Alaric
Key Makeup Artist:
Courtney Frey
Leadman:
Ryan Casey
Location Manager:
Geoff Dodd
Music Supervisor:
Valerie Biggin
Online Editor:
Shaun Lang
Kipp Lightburn
Original Music Composer:
Terry Frewer
Payroll Accountant:
Faiza Lalani
Post Production Coordinator:
Sepideh Merchant
Post Production Supervisor:
Jason Macintyre
Producer:
Harvey Kahn
Production Accountant:
Svatia Sakarova
Production Controller:
Marnie Termuende
Production Coordinator:
Yale Kussin
Production Design:
Jill Scott
Production Manager:
Catherine Kretz
Production Sound Mixer:
Tad Nazar
Property Master:
John Morstad
Props:
Rob Huestis
Script Supervisor:
Matt Babinec
Second Assistant "A" Camera:
Luke Hylands
Second Assistant "B" Camera:
Sean Foster
Second Assistant Director:
Claude M. Pavel
Set Decoration:
Mark Boyko
Set Dresser:
Sam Stime
Nick Nalmpantidis
Set Supervisor:
Jaralin Detienne
Sound Designer:
Jeff Jackman
Sound Re-Recording Mixer:
Greg Stewart
Jeff Jackman
Special Effects Assistant:
Spencer Bennett
Special Effects Coordinator:
Darcy Davis
Still Photographer:
Ryan Plummer
Stunt Coordinator:
Brett Armstrong
Stunt Double:
Jennifer Clarke
Taylore McEachryn
Supervising Producer:
Katy Garretson
Allen Lewis
Marnie Termuende
Third Assistant Director:
Roderick Dryden Morrison
Transportation Captain:
Stefano Chimarios
Transportation Coordinator:
Dean Fitzpatrick
Visual Effects Supervisor:
Barry Liu
Writer:
Walter Klenhard
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.