A work in constant progress (and occasional regress).
Release Date:
August 14, 2001
Original Title:
House Party 4: Down to the Last Minute
Genres:
Comedy
Production Companies:
New Line Cinema
The Ultimate Group Films
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 80
Jon Jon sees a ripe opportunity for a major party when he snags the job house-sitting for his rich Uncle Charles. The mansion comes with a platinum colored Mercedes-Benz 430. Which is said to be more than $100,000, and although Uncle Bilal has told him not to drive the car or have people over, Jon Jon wastes no time in doing both. But Uncle Charles vacation isn't going as planned, Charles is unaware that Jon Jon is not only having an "entertainment party", but he's auditioning his hip-hop band (IMx) for a record executive. When Jon Jon finds out his uncle is coming home earlier than announced, he has to race against time to try and put everything back the way he found it again.
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Assistant Director:
Anthony Jones
Associate Producer:
Linda Yvonna Hoffman
Best Boy Grip:
Shannon Summers
Jeff Miller
Boom Operator:
Jesse Woody Stubblefield
Claude Conkrite Jr.
Langston Ball
Co-Producer:
Karolyn Ali
Continuity:
Margery Kimbrough
Donna Parish
Costume Designer:
Miyoko Chilombo
Director:
Chris Stokes
Director of Photography:
Todd Dos Reis
Editor:
Chris Maybach
Executive Producer:
Ketrina Askew
Chris Stokes
First Assistant Camera:
Dawn Fleischman
Gaffer:
Ethan Phillips
Grip:
Tony Thomas
Jeremiah Johnson
Alfredo S. Denila III
Hairstylist:
Leslie Burrell
Key Grip:
DeJon Ellis Jr.
Lighting Technician:
Stefan Wilking
Line Producer:
Eric P. Jones
Location Manager:
Cassius Weathersby
Makeup Artist:
Gwen Thompson
Post Production Supervisor:
Cassius Weathersby
Producer:
Cassius Weathersby
Production Consultant:
Miriam Holder Jacobs
Production Design:
Keisha Gamble
Screenplay:
Marcus Warren
Chris Stokes
Second Assistant Camera:
Derek Edwards
Michelle Baker
Second Assistant Director:
Darius Aubry
Second Second Assistant Director:
Denise Anderson Poore
Set Dresser:
Karmina Victoria
Dave Scott
Sound Mixer:
Lionel Ball
Still Photographer:
Chrystal Sealy
Telecine Colorist:
David Rausch
Writer:
Linda Yvonna Hoffman
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.