A work in constant progress (and occasional regress).
Original Title:
Invisible Scars
Genres:
Documentary
Production Companies:
7 Ponies Productions
Fearless
First Run Features
Ratings / Certifications:
N/A
Runtime: 84
INVISIBLE SCARS is a feature documentary that explores hope, healing, and resilience through the eyes of one woman who was sexually abused by her father. Johnna is a mother, wife, student, and friend who appears strong and confident. She candidly reveals the life-long struggles she has faced from the events that have affected her since childhood. Johnna meets dedicated scholars and leading experts who discuss the topic of child sexual abuse. In addition, she comes face to face with other people who were also sexually abused. With the perspective of others, she comes to understand how her experiences have negatively impacted her life choices, self-image, and interpersonal relationships. Through this journey, Johnna is forced to face her past and learn to live in the present.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.