A work in constant progress (and occasional regress).
Release Date:
February 8, 1980
Original Title:
Bye Bye Brasil
Alternate Titles:
Bye Bye Brésil
Genres:
Drama
Production Companies:
LC Barreto
Production Countries:
Argentina | Brazil | France
Ratings / Certifications:
BR: 18 US: R
Runtime: 110
The Caravana Rolidei rolls into town with the Gypsy Lord at the mike: he does magic tricks, the erotic Salomé dances, and the mute Swallow performs feats of strength. A young accordion player is completely enamored of Salomé, and he begs to come along. The Gypsy Lord shrugs, and the accordionist and his pregnant wife, Dasdô, join the troupe.
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Art Direction:
Anísio Medeiros
Assistant Art Director:
Paulo Chada
Assistant Camera:
José Tadeu Ribeiro
Assistant Director:
Fábio Barreto
Bruno Wainer
Assistant Editor:
Hernandes Fontes
Denise Fontoura
José Joaquim Salles
Hernandes Toledo
Associate Producer:
Bruno Barreto
Carlos Henrique Braga
Walter Clark
Lucíola Vilella
Choreographer:
Carlos Machado
Continuity:
Nieves Cabello
Costume Design:
Anísio Medeiros
Director:
Carlos Diegues
Director of Photography:
Lauro Escorel
Editor:
Anísio Medeiros
Mair Tavares
Electrician:
Pedro Cavalcante
Jadeyr Guimarães
José Luiz
Grip:
Lourenço Cesar
Djalma de Oliveira
Makeup Artist:
Antonio Pacheco
Music:
Chico Buarque
Dominguinhos
Roberto Menescal
Producer:
Lucy Barreto
Luiz Carlos Barreto
Production Assistant:
Cláudio Barreto
Alvaro Magaldi
Production Manager:
Marco Altberg
Otávio de Miranda
Sound:
Jean-Claude Laureux
Victor Raposeiro
Sound Editor:
Emmanuelle Castro
Sound Re-Recording Mixer:
José Luiz Sasso
Still Photographer:
Ademir Silva
Title Designer:
Fernando Pimenta
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.