A work in constant progress (and occasional regress).
Release Date:
October 2, 1986
Original Title:
38 – Auch das war Wien
Alternate Titles:
'38 Home to the Realm
38 - Heim ins Reich
Achtunddreissig
Genres:
Drama
Production Companies:
Almaro Film
BR
ORF
Satel Film
Production Countries:
Austria | Germany
Ratings / Certifications:
N/A
Runtime: 97
The film presents the political events surrounding the Anschluss in March of 1938 through the lives of Carola Hell, a popular young actress at the prestigious Theater in der Josefstadt, and Martin Hofmann, the Jewish journalist she plans to marry. When we encounter the couple in the lovely springtime weather their future is full of promise. They are determined to stay clear of politics. Yet in the climate of the time, nobody of her prominence or his religion can remain apolitical. Although Martin's journalist friend, Drechsler, calls to inform them that the Nazis plan to take over Austria soon, they concentrate on their work and their private happiness and dismiss the warnings.
Art Direction:
Christian Morin
Oldřich Okáč
Assistant Director:
Harald Eberhard
Robert Vacík
Author:
Friedrich Torberg
Co-Producer:
Christine Gouze-Rénal
Costume Design:
Birgit Hutter
Director:
Wolfgang Glück
Director of Photography:
Gérard Vandenberg
Editor:
Wolfgang B. Heine
Heidi Handorf
Executive Producer:
Herbert Reutterer
Lighting Technician:
Norbert Erben
Makeup Artist:
Rüdiger von Sperl
Ellen Just-Hofmann
Original Music Composer:
Bert Grund
Producer:
Michael Hild
Production Design:
Herwig Libowitzky
Christian Marin
Oldřich Okáč
Production Manager:
Daniela Stibitz
Andreas Kamm
Daniela Bräuer
Curd Abdallah
Property Master:
Helmut Gräf
Margarete Graef
Sound:
Norbert Erben
Sound mixer:
Günter Blumhagen
Writer:
Wolfgang Glück
Lida Winiewicz
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.