A work in constant progress (and occasional regress).
Release Date:
April 14, 2017
Original Title:
Sandy Wexler
Alternate Titles:
סנדי וקסלר
샌디 웩슬러
Genres:
Comedy
Production Companies:
Happy Madison Productions
Production Countries:
United States of America
Ratings / Certifications:
BR: 12 DE: 12 PL: 16
Runtime: 130
When a hapless but dedicated talent manager signs his first client who actually has talent, his career finally starts to take off.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Editor:
Jon Michaels
ADR Mixer:
Eric Gotthelf
Thomas J. O'Connell
ADR Voice Casting:
Wendy Hoffmann
Ashley Lambert
Additional Editor:
J.J. Titone
Art Department Coordinator:
Keiko Giacona
Art Direction:
Alan Au
Assistant Property Master:
Chuck Askerneese
Associate Producer:
Chris Titone
Joseph Vecsey
Best Boy Electric:
Joe Martens
Best Boy Grip:
Ivan H. Migel
Boom Operator:
Don Coufal
CGI Supervisor:
Mike Warner
Casting:
Catherine Stroud
Lisa London
Choreographer:
Jamal Sims
Co-Producer:
Nick Swardson
Kevin Grady
Paul Sado
Dan Bulla
Construction Coordinator:
Vincent DeSantis
Costume Design:
Kimberly A. Tillman
Costume Supervisor:
Robin McMullan
Costumer:
Candice Carella
Dialogue Editor:
Russell Farmarco
Director:
Steven Brill
Director of Photography:
Dean Semler
Editor:
Tom Costain
Executive Producer:
Barry Bernardi
Tim Herlihy
Pauline Fischer
Sarah Bowen
First Assistant Director:
David M. Bernstein
First Assistant Editor:
Jamie Keeney
Foley Artist:
Catherine Harper
Katherine Rose
Foley Editor:
Dan Kenyon
Foley Mixer:
Darrin Mann
Gaffer:
James J. Gilson
Graphic Designer:
Ellen King
Hair Department Head:
Peter Tothpal
Key Costumer:
Cindy Rosenthal
Key Grip:
Guy Micheletti
Key Hair Stylist:
Mary L. Hart-Mastro
Leadman:
Kenneth Turek
Location Manager:
Rob Frank
Makeup Department Head:
Ann Pala
Music Editor:
Stuart Grusin
Music Supervisor:
Kevin Grady
Musician:
Gunnar Nelson
Orchestrator:
Alastair King
Original Music Composer:
Rupert Gregson-Williams
Post Production Assistant:
Tony Sarandos
Producer:
Adam Sandler
Ted Sarandos
Allen Covert
Production Design:
Perry Andelin Blake
Production Illustrator:
Patrick Janicke
Production Office Coordinator:
Elizabeth Tyson
Production Sound Mixer:
Lee Orloff
Property Master:
Timothy S. Wiles
Prosthetics:
Gary Archer
Rigging Gaffer:
Toby LeCheminant
Script Supervisor:
Ronit Ravich-Boss
Second Assistant Director:
Aaron C. Fitzgerald
Set Decorating Coordinator:
Leslie Borchert
Set Decoration:
Karen O'Hara
Set Designer:
Cameron Birnie
Set Dresser:
Billy Sender
Sound Effects Editor:
Dan Kenyon
John Joseph Thomas
Sound Re-Recording Mixer:
Tateum Kohut
Greg Orloff
Special Effects Supervisor:
Mark R. Byers
Still Photographer:
Glen Wilson
Storyboard Artist:
Pete von Sholly
Studio Teacher:
Heather Fielding
Stunt Coordinator:
Bob Brown
Jon H. Epstein
Stunt Double:
Paul Eliopoulos
Stunt Driver:
Zack Duhame
Caryn Mower
Troy Robinson
Stunts:
Matt Leonard
Supervising ADR Editor:
Michael Miller
Supervising Dialogue Editor:
Harrison Meyle
Supervising Sound Editor:
Elmo Weber
Cameron Frankley
Transportation Captain:
Chad Moore
Transportation Coordinator:
Juan J. Rodriguez
Unit Production Manager:
Russell Allen
Utility Sound:
Rene Defrancesch
Video Assist Operator:
Alfred Ainsworth Jr.
Visual Effects Producer:
Brian Drewes
Visual Effects Supervisor:
Robert Nederhorst
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.