A work in constant progress (and occasional regress).
Release Date:
September 29, 2016
Original Title:
Al posto tuo
Alternate Titles:
Al posto tuo
Genres:
Comedy
Production Companies:
RAI Cinema
Rodeo Drive
Production Countries:
Italy
Ratings / Certifications:
IT: T
Runtime: 81
Two very different men have something in common: the work. When their companies are bought by a bigger one, who will take the only place of boss of the new company?
Assistant Camera:
Tiziano Saraca
Assistant Editor:
Ilenia Zincone
Boom Operator:
Edgar Iacolenna
Vincenzo Aiello
Camera Operator:
Emiliano Leurini
Casting:
Pino Pellegrino
Color Grading:
Ivan Tozzi
Costume Design:
Elena Minesso
Delegated Producer:
Francesca Di Donna
Director:
Max Croci
Director of Photography:
Patrizio Patrizi
Editor:
Simone Manetti
First Assistant Director:
Federico Nuti
Foley Artist:
Enzo Diliberto
Massimo Marinelli
Gaffer:
Carmelo Scordia
Hair Department Head:
Alessio Pompei
Hairstylist:
Valentina Spuntarelli
Key Grip:
Paolo Bovi
Line Producer:
Davide Tovi
Location Manager:
Francesco Cimpanelli
Makeup Artist:
Cristina Amadio
Makeup Department Head:
Ermanno Spera
Original Music Composer:
Alessandro Faro
Production Coordinator:
Federica Nardelli
Production Design:
Maurizio di Clemente
Production Manager:
Giuseppe Manzi
Property Master:
Federico Vianelli
Screenplay:
Massimo di Nicola
Umberto Marino
Script Supervisor:
Stefano Felicioni
Second Assistant Director:
Stefano Farina
Angelo Urbano
Dimitri Skofic
Sound:
Guido Spizzico
Sound Editor:
Claudio Spinelli
Sound Effects Editor:
Marco Marinelli
Theo Francocci
Massimo Marinelli
Sound Mixer:
Claudio Chiossi
Story:
Massimo di Nicola
Stunt Coordinator:
Alessandro Novelli
Unit Manager:
Pierpaolo Di Rosa
VFX Supervisor:
Luca Saviotti
Visual Effects Producer:
Virginia Cefaly
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.