A work in constant progress (and occasional regress).
Release Date:
March 16, 2017
Original Title:
Era o Hotel Cambridge
Genres:
Documentary | Drama
Production Companies:
Aurora Filmes
Tu Vas Voir
Production Countries:
Brazil | France | Spain
Ratings / Certifications:
N/A
Runtime: 90
The Cambridge Squatter tells the story of refugees, recently arrived in Brazil who, together with a group of low-income workers, occupy an old abandoned building in downtown São Paulo. Daily dramas, comical situations and different views on the world commingle with the threat of impending eviction.
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Art Direction:
Carla Caffé
Assistant Art Director:
Juliana Bucaretchi
Assistant Sound Editor:
Jéssica Noliver
Camera Operator:
Tiago Tambelli
Co-Producer:
Luis Collar
Edgard Tenenbaum
Amiel Tenenbaum
Nephilim Producciones
Co-Writer:
Luís Alberto de Abreu
Eliane Caffé
Inês Figueiró
Colorist:
Ximo Michavila
Consulting Producer:
Verônica de Paula
Coordinating Producer:
Luciana Coelho
Costume Design:
Juliana Bucaretchi
Director:
Eliane Caffé
Director of Photography:
Bruno Risas
Editor:
Marcio Hashimoto
Executive Producer:
André Montenegro
Rui Pires
Executive Producer's Assistant:
Yana Chang
First Assistant Director:
Tarsila Araújo
Foley Editor:
Vitor Moraes
Gaffer:
Luiz Paulo Xein
Grip:
Shankar Addi Mehra
Line Producer:
Julia Alves
Post Production Assistant:
Luísa Durães
Post Production Coordinator:
Inma Fernández-Montes
Producer:
André Montenegro
Rui Pires
Production Design:
Carla Caffé
Script Supervisor:
Ana Resner
Second Assistant Director:
Arthur Schmidt
Set Designer:
Luis Felipe Abbud
Sound:
Patricia Milanesi
Sound Editor:
Miriam Biderman
Camila Mariga
Sound Effects Editor:
Vitor Moraes
Sound Mixer:
Julien Cloquet
Sound Re-Recording Mixer:
Julien Cloquet
Sound Recordist:
Juliano Zoppi
Thanks:
Martin Zarka
Writer:
Bruno Campello
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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