Sam (2015) [NR]

Release Date:
April 21, 2015

Original Title:
Sam

Genres:
Comedy | Fantasy | Romance

Production Companies:
Sitting Cat Productions

Production Countries:
United States of America

Ratings / Certifications:
US: NR 

Runtime: 100

How do you get even with a womanizer? Make him a woman!

An alpha New York City male is magically transformed into a beautiful girl, falls in love, and learns what it means to be a woman.

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Assistant Director:
Sibyl Santiago
Liza Binkley
Mark J. Parker

Assistant Editor:
Ethan Bellows

Associate Producer:
Jen Cohen
Craig Nobbs
Mark J. Parker

Camera Technician:
Benjamin P. Kaminsky

Casting:
Sig De Miguel
Stephen Vincent

Co-Producer:
Liza Binkley

Color Designer:
Malika Franklin

Consulting Producer:
Robbie Bryan

Costume Design:
Rita Squitiere

Costume Supervisor:
Sachi Masuda
Tori Yeager

Digital Compositors:
Malika Franklin

Director:
Nicholas Brooks

Director of Photography:
Calen Cooper

Editor:
Käla Mandrake

Electrician:
Christopher J. Rosario

Executive Producer:
Mel Brooks

First Assistant Camera:
Andrew Minogue

Gaffer:
Jack Studeny Finlay

Grip:
Karli Kopp

Location Manager:
Ryan O'Callaghan

Location Scout:
Sibyl Santiago

Makeup Artist:
David Walker Jr.

Music:
Martin Koch
Tom Ashton

Music Director:
Isobel Griffiths

Producer:
John A. Gallagher
Ryan O'Callaghan
Mia Pinchoff
Sibyl Santiago
Nicholas Brooks

Production Design:
Frank Nicolella

Production Manager:
Craig Nobbs

Recording Supervision:
Matt Gundy

Screenplay:
John A. Gallagher
Nicholas Brooks

Set Decoration:
Teena Omar

Sound Editor:
Richard Hamilton

Sound Mixer:
Mielle Ezra

Stunt Coordinator:
Mark Philip Patrick

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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