A work in constant progress (and occasional regress).
Release Date:
July 12, 2002
Original Title:
Road to Perdition
Alternate Titles:
Camino a la perdición
Cesta do zatracení
O Drómos tis Apóleias
Proklyatyy put'
Proklyatyy shlyakh
Put bez povratka
Pŭt kŭm otmŭshtenie
Veien til fortapelse
Əzab Yolu
جاده ای به تباهی
Genres:
Crime | Drama | Thriller
Production Companies:
20th Century Fox
DreamWorks Pictures
The Zanuck Company
Production Countries:
United States of America
Ratings / Certifications:
AR: +13 AU: MA15+ BE: 18 BR: 16 CA: 14A CH: 14 CZ: 12+ DE: 16 DK: 15 ES: 16 FI: K-16 FR: U GB: 15 GR: 16 HU: 16 IE: 15 IT: T JP: G KR: 15 MX: B-15 MY: 18SG NL: 16 NO: 15 NZ: R13 PL: 16 PT: M/12 RO: 18 RU: 16+ SE: 15 TW: 輔12 US: R ZA: 16
Runtime: 117
Mike Sullivan works as a hit man for crime boss John Rooney. Sullivan views Rooney as a father figure, however after his son is witness to a killing, Mike Sullivan finds himself on the run in attempt to save the life of his son and at the same time looking for revenge on those who wronged him.
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3D Supervisor:
Jeffrey Edward Baksinski
ADR Mixer:
Howard London
ADR Voice Casting:
Barbara Harris
Additional Casting:
Judith Bouley
Armorer:
Harry Lu
Art Department Assistant:
William Patterson
Art Department Coordinator:
Chris Cummings
Art Direction:
Richard L. Johnson
Assistant Art Director:
Ted Haigh
Jann K. Engel
Thomas Minton
Assistant Camera:
Chris Buzek
Assistant Chief Lighting Technician:
Ross Dunkerley
Assistant Costume Designer:
Susan Kowarsh
Marcy Grace Froehlich
Assistant Editor:
Lea Morement
Assistant Location Manager:
Martin L. Hudson
Assistant Makeup Artist:
Aimee Lippert
Assistant Production Coordinator:
Gabriela Ríos
Assistant Property Master:
Guillaume DeLouche
Assistant Sound Editor:
Carmen Flores De Tanis
Associate Producer:
Tara B. Cook
Cherylanne Martin
Best Boy Electric:
Chris Glomp
Best Boy Grip:
Fred Folmer
Boom Operator:
David M. Roberts
Camera Loader:
Matthew Haskins
Camera Operator:
P. Scott Sakamoto
Casting:
Debra Zane
Casting Assistant:
Pamela Lynn Thomas
Casting Associate:
Terri Taylor
Casting Consultant:
Mickie Paskal
Chief Lighting Technician:
Tom Stern
Choreographer:
Mark Howard
Harrison McEldowney
Color Timer:
Phil Hetos
Construction Coordinator:
Jeff Passanante
Construction Foreman:
James M. Davis
Costume Design:
Albert Wolsky
Costume Supervisor:
Robert Q. Mathews
Costumer:
Gretchen Gain
Craft Service:
Kathryn Madden
Dialect Coach:
Carla Meyer
Dialogue Editor:
Gary Lewis
Benjamin Beardwood
Director:
Sam Mendes
Director of Photography:
Conrad L. Hall
Dolly Grip:
Mike Schwake
Driver:
George Hartmann
Editor:
Jill Bilcock
Editorial Production Assistant:
Aaron Richmond
Electrician:
Cortland Boyd
Executive Music Producer:
Todd Homme
Executive Producer:
Walter F. Parkes
Joan Bradshaw
Extras Casting Assistant:
Jamie Biehl
First Assistant Accountant:
Kurt Greufe
First Assistant Camera:
Clyde E. Bryan
First Assistant Director:
K.C. Hodenfield
First Assistant Editor:
Celia Haining
Dan Schalk
Foley Artist:
Matthew Dettmann
Foley Editor:
Mark Pappas
Foley Mixer:
Lane Burch
Gaffer:
Rick Thomas
Graphic Novel:
Richard Piers Rayner
Max Allan Collins
Greensman:
Phillip Ellman
Grip:
Christopher Glasgow
Hairstylist:
Kathryn Blondell
In Memory Of:
Conrad L. Hall
Key Costumer:
Jennifer Jobst
Key Grip:
Kelly R. Borisy
Key Rigging Grip:
Gerald A. King
Leadman:
Daniel B. Clancy
Libra Head Technician:
Kelly Diehl
Location Assistant:
Melanie Cassidy
Location Manager:
Stephen Andrzejewski
Location Scout:
Carrie Goodman
Makeup Artist:
Daniel C. Striepeke
Music Consultant:
George Budd
Music Editor:
Bill Bernstein
Musician:
Chris Tedesco
Negative Cutter:
Gary Burritt
Orchestrator:
Thomas Pasatieri
Original Music Composer:
Thomas Newman
Painter:
Anthony Joseph Fatigato
Payroll Accountant:
Renee D. Czarapata
Picture Car Coordinator:
Bud Belyeu
Post Production Coordinator:
Sven E. Fahlgren
Post Production Supervisor:
Erica Frauman
Producer:
Sam Mendes
Dean Zanuck
Richard D. Zanuck
Production Accountant:
Kathryn Mindala
Production Assistant:
Chris Castaldi
Production Controller:
Jim Turner
Production Coordinator:
Dhana Gilbert
Production Design:
Dennis Gassner
Production Executive:
Steven R. Molen
Production Office Assistant:
Heather Sharpe
Production Secretary:
Michael Bender
Production Sound Mixer:
John Pritchett
Projection:
Brian Lunt
Property Master:
Doug Harlocker
Propmaker:
John J. Slove Jr.
Rigging Gaffer:
Vince Cordero
Rigging Grip:
James F. Roorda
Rotoscoping Artist:
Krystine Lankenau
Scoring Mixer:
Thomas Vicari
Screenplay:
David Self
Seamstress:
Jane Blank
Second Assistant Accountant:
James D'Damery Jr.
Second Assistant Camera:
Suzanne Trucks
Second Assistant Director:
Jeff Okabayashi
Second Second Assistant Director:
Steve Battaglia
Second Unit Director:
Doug Coleman
Set Costumer:
Heather Pollock
Patrick Caulfield
Set Decorating Coordinator:
Benjamin Nowicki
Set Decoration:
Nancy Haigh
Set Designer:
Kerry Sanders
Set Dresser:
Paige Augustine
Set Production Assistant:
Jill S. Litwin
Sound Editor:
Scott A. Hecker
Sound Effects Editor:
Jason W. Jennings
Sound Engineer:
Bill Banyai
Sound Re-Recording Mixer:
Bob Beemer
Scott Millan
Special Effects Coordinator:
Allen Hall
Special Effects Technician:
Thomas Kittle
Stand In:
Michael Clossin
Standby Painter:
Henry Schaub
Still Photographer:
François Duhamel
Stunt Coordinator:
Doug Coleman
Stunt Double:
Kim Kahana Jr.
Stunts:
Frank P. Calzavara
Supervising ADR Editor:
Joe Dorn
Supervising Sound Editor:
Scott A. Hecker
Swing:
Tom Gagnon
Technical Advisor:
Larry McCaffrey
Transportation Captain:
James Hogan
Transportation Co-Captain:
Joseph Paoletti
Transportation Coordinator:
Robert Neilson
Travel Coordinator:
Kyoko Kageyama
Unit Production Manager:
Michael J. Malone
Unit Publicist:
Amanda Brand
Utility Stunts:
Joey Box
Visual Effects Editor:
Paul Howarth
Visual Effects Producer:
Paul Clemente
Dennis Hoffman
Visual Effects Production Manager:
Tiffany Smith
Visual Effects Supervisor:
Michael L. Fink
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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