Road to Perdition (2002) [R]

Release Date:
July 12, 2002

Original Title:
Road to Perdition

Alternate Titles:
Camino a la perdición
Cesta do zatracení
O Drómos tis Apóleias
Proklyatyy put'
Proklyatyy shlyakh
Put bez povratka
Pŭt kŭm otmŭshtenie
Veien til fortapelse
Əzab Yolu
جاده ای به تباهی

Genres:
Crime | Drama | Thriller

Production Companies:
20th Century Fox
DreamWorks Pictures
The Zanuck Company

Production Countries:
United States of America

Ratings / Certifications:
AR: +13  AU: MA15+  BE: 18  BR: 16  CA: 14A  CH: 14  CZ: 12+  DE: 16  DK: 15  ES: 16  FI: K-16  FR: U  GB: 15  GR: 16  HU: 16  IE: 15  IT: T  JP: G  KR: 15  MX: B-15  MY: 18SG  NL: 16  NO: 15  NZ: R13  PL: 16  PT: M/12  RO: 18  RU: 16+  SE: 15  TW: 輔12  US: R  ZA: 16 

Runtime: 117

Pray for Michael Sullivan.

Mike Sullivan works as a hit man for crime boss John Rooney. Sullivan views Rooney as a father figure, however after his son is witness to a killing, Mike Sullivan finds himself on the run in attempt to save the life of his son and at the same time looking for revenge on those who wronged him.

Additional information:

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3D Supervisor:
Jeffrey Edward Baksinski

ADR Mixer:
Howard London

ADR Voice Casting:
Barbara Harris

Additional Casting:
Judith Bouley

Armorer:
Harry Lu

Art Department Assistant:
William Patterson

Art Department Coordinator:
Chris Cummings

Art Direction:
Richard L. Johnson

Assistant Art Director:
Ted Haigh
Jann K. Engel
Thomas Minton

Assistant Camera:
Chris Buzek

Assistant Chief Lighting Technician:
Ross Dunkerley

Assistant Costume Designer:
Susan Kowarsh
Marcy Grace Froehlich

Assistant Editor:
Lea Morement

Assistant Location Manager:
Martin L. Hudson

Assistant Makeup Artist:
Aimee Lippert

Assistant Production Coordinator:
Gabriela Ríos

Assistant Property Master:
Guillaume DeLouche

Assistant Sound Editor:
Carmen Flores De Tanis

Associate Producer:
Tara B. Cook
Cherylanne Martin

Best Boy Electric:
Chris Glomp

Best Boy Grip:
Fred Folmer

Boom Operator:
David M. Roberts

Camera Loader:
Matthew Haskins

Camera Operator:
P. Scott Sakamoto

Casting:
Debra Zane

Casting Assistant:
Pamela Lynn Thomas

Casting Associate:
Terri Taylor

Casting Consultant:
Mickie Paskal

Chief Lighting Technician:
Tom Stern

Choreographer:
Mark Howard
Harrison McEldowney

Color Timer:
Phil Hetos

Construction Coordinator:
Jeff Passanante

Construction Foreman:
James M. Davis

Costume Design:
Albert Wolsky

Costume Supervisor:
Robert Q. Mathews

Costumer:
Gretchen Gain

Craft Service:
Kathryn Madden

Dialect Coach:
Carla Meyer

Dialogue Editor:
Gary Lewis
Benjamin Beardwood

Director:
Sam Mendes

Director of Photography:
Conrad L. Hall

Dolly Grip:
Mike Schwake

Driver:
George Hartmann

Editor:
Jill Bilcock

Editorial Production Assistant:
Aaron Richmond

Electrician:
Cortland Boyd

Executive Music Producer:
Todd Homme

Executive Producer:
Walter F. Parkes
Joan Bradshaw

Extras Casting Assistant:
Jamie Biehl

First Assistant Accountant:
Kurt Greufe

First Assistant Camera:
Clyde E. Bryan

First Assistant Director:
K.C. Hodenfield

First Assistant Editor:
Celia Haining
Dan Schalk

Foley Artist:
Matthew Dettmann

Foley Editor:
Mark Pappas

Foley Mixer:
Lane Burch

Gaffer:
Rick Thomas

Graphic Novel:
Richard Piers Rayner
Max Allan Collins

Greensman:
Phillip Ellman

Grip:
Christopher Glasgow

Hairstylist:
Kathryn Blondell

In Memory Of:
Conrad L. Hall

Key Costumer:
Jennifer Jobst

Key Grip:
Kelly R. Borisy

Key Rigging Grip:
Gerald A. King

Leadman:
Daniel B. Clancy

Libra Head Technician:
Kelly Diehl

Location Assistant:
Melanie Cassidy

Location Manager:
Stephen Andrzejewski

Location Scout:
Carrie Goodman

Makeup Artist:
Daniel C. Striepeke

Music Consultant:
George Budd

Music Editor:
Bill Bernstein

Musician:
Chris Tedesco

Negative Cutter:
Gary Burritt

Orchestrator:
Thomas Pasatieri

Original Music Composer:
Thomas Newman

Painter:
Anthony Joseph Fatigato

Payroll Accountant:
Renee D. Czarapata

Picture Car Coordinator:
Bud Belyeu

Post Production Coordinator:
Sven E. Fahlgren

Post Production Supervisor:
Erica Frauman

Producer:
Sam Mendes
Dean Zanuck
Richard D. Zanuck

Production Accountant:
Kathryn Mindala

Production Assistant:
Chris Castaldi

Production Controller:
Jim Turner

Production Coordinator:
Dhana Gilbert

Production Design:
Dennis Gassner

Production Executive:
Steven R. Molen

Production Office Assistant:
Heather Sharpe

Production Secretary:
Michael Bender

Production Sound Mixer:
John Pritchett

Projection:
Brian Lunt

Property Master:
Doug Harlocker

Propmaker:
John J. Slove Jr.

Rigging Gaffer:
Vince Cordero

Rigging Grip:
James F. Roorda

Rotoscoping Artist:
Krystine Lankenau

Scoring Mixer:
Thomas Vicari

Screenplay:
David Self

Seamstress:
Jane Blank

Second Assistant Accountant:
James D'Damery Jr.

Second Assistant Camera:
Suzanne Trucks

Second Assistant Director:
Jeff Okabayashi

Second Second Assistant Director:
Steve Battaglia

Second Unit Director:
Doug Coleman

Set Costumer:
Heather Pollock
Patrick Caulfield

Set Decorating Coordinator:
Benjamin Nowicki

Set Decoration:
Nancy Haigh

Set Designer:
Kerry Sanders

Set Dresser:
Paige Augustine

Set Production Assistant:
Jill S. Litwin

Sound Editor:
Scott A. Hecker

Sound Effects Editor:
Jason W. Jennings

Sound Engineer:
Bill Banyai

Sound Re-Recording Mixer:
Bob Beemer
Scott Millan

Special Effects Coordinator:
Allen Hall

Special Effects Technician:
Thomas Kittle

Stand In:
Michael Clossin

Standby Painter:
Henry Schaub

Still Photographer:
François Duhamel

Stunt Coordinator:
Doug Coleman

Stunt Double:
Kim Kahana Jr.

Stunts:
Frank P. Calzavara

Supervising ADR Editor:
Joe Dorn

Supervising Sound Editor:
Scott A. Hecker

Swing:
Tom Gagnon

Technical Advisor:
Larry McCaffrey

Transportation Captain:
James Hogan

Transportation Co-Captain:
Joseph Paoletti

Transportation Coordinator:
Robert Neilson

Travel Coordinator:
Kyoko Kageyama

Unit Production Manager:
Michael J. Malone

Unit Publicist:
Amanda Brand

Utility Stunts:
Joey Box

Visual Effects Editor:
Paul Howarth

Visual Effects Producer:
Paul Clemente
Dennis Hoffman

Visual Effects Production Manager:
Tiffany Smith

Visual Effects Supervisor:
Michael L. Fink

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