A work in constant progress (and occasional regress).
Release Date:
April 19, 2006
Original Title:
Oda do radości
Alternate Titles:
Ода радості
Genres:
Drama
Production Companies:
Akson Studio
Canal+
Telewizja Polska
Production Countries:
Poland
Ratings / Certifications:
N/A
Runtime: 118
Three stories of young disillusioned Poles of different background and region of origin. What binds them together is that they all meet on the bus to London shortly after Poland's entry into EU.
Administration:
Gabriela Ciechanowiecka
Animation:
Wojciech Książka
Assistant Editor:
Pawel Potocki
Assistant Production Design:
Natasza Kisza
Assistant Production Manager:
Aleksandra Frosztęga
Camera Operator:
Radek Ładczuk
Klaudiusz Dwulit
Piotr Niemyjski
Casting:
Beata Wiśniewska
Catering:
Danuta Zarębska
Co-Producer:
Beata Ryczkowska
Paweł Mossakowski
Andrzej Serdiukow
Costume Assistant:
Elżbieta Kaczmarska
Costume Design:
Magdalena Biedrzycka
Director:
Maciej Migas
Jan Komasa
Anna Kazejak
Director of Photography:
Piotr Niemyjski
Radek Ładczuk
Klaudiusz Dwulit
Dolby Consultant:
Pavel Štverák
Editor:
Rafał Listopad
Maciej Pawliński
Bartosz Pietras
Executive Producer:
Michał Kwieciński
Katarzyna Fukacz-Cebula
Interior Designer:
Arkadiusz Kosmider
Makeup Artist:
Dariusz Krysiak
Master Lighting Artist:
Sławomir Lenard
Mateusz Kuźniak
Music Consultant:
Jan Kapliński
Musician:
Jacek Lachowicz
Online Editor:
Marcin Hoszowski
Original Music Composer:
Jacek Lachowicz
Producer:
Krzysztof Gierat
Michał Kwieciński
Katarzyna Fukacz-Cebula
Production Design:
Arkadiusz Kosmider
Production Manager:
Kamil Przełęcki
Props:
Ryszard Szmit
Public Relations:
Grażyna Molska
Ewa Turczańska
Script:
Małgorzata Roszkowska
Sound Effects:
Henryk Zastróżny
Still Photographer:
Mateusz Wajda
Marta Luks
Stunt Coordinator:
Ryszard Janikowski
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.