A work in constant progress (and occasional regress).
Release Date:
June 16, 1995
Original Title:
Batman Forever
Alternate Titles:
Batman 3
Batman 3: Batman Forever
Batman Forever
Người Dơi 3
バットマン フォーエヴァー:1995
蝙蝠侠3:永远的蝙蝠侠
Genres:
Action | Crime | Fantasy
Production Companies:
Polygram Pictures
Tim Burton Productions
Warner Bros. Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: PG BE: 16 BG: C BR: 10 CA: PG CH: 12 CZ: U DE: 12 DK: 11 ES: 12 FI: K-12 FR: 12 GB: 12 GR: PG HK: IIA HU: 12 IE: 12A IT: T MX: B NL: 6 NO: 15 PL: 16 PT: M/12 RO: 12 SE: 11 US: PG-13
Runtime: 121
Batman must battle a disfigured district attorney and a disgruntled former employee with help from an amorous psychologist and a young circus acrobat.
ADR Editor:
Zack Davis
ADR Mixer:
Troy Porter
ADR Recordist:
Scott Houle
Additional Second Assistant Director:
Eric Oliver
Additional Sound Re-Recording Mixer:
Kevin E. Carpenter
Animation Supervisor:
Raman Hui
Armorer:
Harry Lu
Art Department Coordinator:
Jill DuDeck
Art Direction:
Joseph P. Lucky
Christopher Burian-Mohr
Assistant Art Director:
Chas. Butcher
Assistant Camera:
Wayne Baker
Assistant Chief Lighting Technician:
Mike Amorelli
Assistant Editor:
Adam Boome
Assistant Location Manager:
Valerie Y.O. Kim
Assistant Makeup Artist:
Buffy Zerefski
Assistant Property Master:
Stephen Andrew Schwartz
Assistant Sound Editor:
Keith Bewick
Associate Producer:
Mitchell E. Dauterive
Best Boy Grip:
Hal Nelson
Boom Operator:
Carl Fischer
CG Supervisor:
Terrence Masson
Camera Operator:
Michael A. Jones
Casting:
Mali Finn
Casting Associate:
Emily Schweber
Characters:
Bob Kane
Chief Lighting Technician:
James M. McEwen
Co-Producer:
Kevin J. Messick
Color Timer:
Bob Putynkowski
Conductor:
Jonathan Sheffer
Construction Coordinator:
Greg John Callas
Costume Coordinator:
Randy Gardell
Costume Design:
Bob Ringwood
Ingrid Ferrin
Costume Supervisor:
Elaine Maser
Costumer:
Brenda Donoho
Craft Service:
Nancy Mott
Dialect Coach:
Carla Meyer
Dialogue Editor:
Sukey Fontelieu
Digital Compositors:
Joni Jacobson
Digital Effects Producer:
Teresa Cheng
Digital Effects Supervisor:
Kathy White
Director:
Joel Schumacher
Director of Photography:
Stephen Goldblatt
Dolby Consultant:
Douglas Greenfield
Dolly Grip:
Antonio V. Garrido
Driver:
David Diaz
Editor:
Mark Stevens
Dennis Virkler
Effects Supervisor:
Don Baker
Electrician:
Jerry D. Knight
Executive In Charge Of Production:
James W. Kristoff
Executive Producer:
Michael Uslan
Benjamin Melniker
First Assistant Accountant:
Katie Zaslaw
First Assistant Camera:
Robert Heine
First Assistant Director:
William M. Elvin
Foley Artist:
Hilda Hodges
Foley Editor:
Michael Dressel
Foley Mixer:
Mary Jo Lang
Foley Recordist:
Carolyn Tapp
Grip:
Jim Gordon
Hairstylist:
Barbara Lorenz
Head Carpenter:
Frank Didio
Key Costumer:
Dawn Y. Line
Key Hair Stylist:
Yolanda Toussieng
Key Set Costumer:
Myron Baker
Key Set Production Assistant:
David Lanphier Jr.
Leadman:
Chuck McSorley
Lighting Supervisor:
Jean M. Cunningham
Lighting Technician:
Billy Craft
Location Assistant:
Will Benson
Location Manager:
Laura Sode-Matteson
Location Scout:
Adam Baer
Makeup Artist:
Ve Neill
Wade Daily
Rick Baker
Makeup Effects:
David LeRoy Anderson
Music Consultant:
Art Ford
Music Editor:
Zigmund Gron
Music Programmer:
Michael Higham
Music Score Producer:
Matthias Gohl
Music Supervisor:
Jolene Cherry
Negative Cutter:
Mo Henry
Orchestrator:
Robert Elhai
Original Music Composer:
Elliot Goldenthal
Painter:
Sarah Ray
Payroll Accountant:
Richard Castro
Producer:
Tim Burton
Peter Macgregor-Scott
Production Accountant:
Jackie Brady Baugh
Production Assistant:
Jack Holland
Production Coordinator:
Tripp Hudson
Production Design:
Barbara Ling
Production Illustrator:
James Carson
Production Manager:
Amy Harrington
Production Sound Mixer:
Petur Hliddal
Project Manager:
Stephen Sobisky
Property Master:
Brad Einhorn
Propmaker:
Tony Chavez
Scenic Artist:
Michael Denering
Screenplay:
Akiva Goldsman
Janet Scott Batchler
Lee Batchler
Sculptor:
Yarek Alfer
Second Assistant Camera:
Chris Holt
Second Assistant Director:
Alan Edmisten
Second Second Assistant Director:
Molly M. Mayeux
Second Unit Director:
David Hogan
Set Decoration:
Elaine O'Donnell
Cricket Rowland
Set Designer:
James R. Bayliss
Set Dressing Artist:
Kinney Booker
Set Medic:
Anna Baltimore
Sound Designer:
Lance Brown
Sound Effects Editor:
Gordon Ecker
Special Effects Assistant:
Robert W. King
Special Effects Coordinator:
Thomas L. Fisher
Special Effects Technician:
Donald Krause
Still Photographer:
Ralph Nelson Jr.
Story:
Lee Batchler
Janet Scott Batchler
Storyboard:
Chris Buchinsky
Stunt Coordinator:
Conrad E. Palmisano
Stunt Double:
Dana Hee
Bob Herron
Mitch Gaylord
Brad Martin
Stunts:
Donna Keegan
Anita Hart
Dana Dru Evenson
Cynthia J. Blessington
Jennifer Caputo
Diana Cuevas
Julie Michaels
Barbara Anne Klein
Dana Hee
Danielle Burgio
Dana Bertolette
Leah Creed
Keith Campbell
Patricia M. Peters
Blaise Corrigan
G.A. Aguilar
Kane Hodder
Doug Coleman
Brad Martin
Mike Smith
Bruce Paul Barbour
Supervising ADR Editor:
Fred Stafford
Supervising Dialogue Editor:
Becky Sullivan
Supervising Music Editor:
Christopher Brooks
Supervising Sound Editor:
John Leveque
Systems Administrators & Support:
Kevin Andrew Smith
Technical Advisor:
Bob Yerkes
Technical Supervisor:
Philippe Gluckman
Title Designer:
Anthony Goldschmidt
Transportation Captain:
Dick Johnson
Transportation Coordinator:
Craig Pinkard
Underwater Director of Photography:
Conrad E. Palmisano
Unit Production Manager:
Ralph Burris
Unit Publicist:
Michael Singer
Utility Stunts:
Tony Angelotti
VFX Artist:
Tamara Waters
VFX Director of Photography:
Tim Angulo
Video Assist Operator:
Martin Weight
Visual Effects Art Director:
James Hegedus
Visual Effects Assistant Editor:
Kate Crossley
Visual Effects Camera:
James Balsam
Visual Effects Compositor:
Peter Sternlicht
Visual Effects Coordinator:
David Wallace Allen
Visual Effects Editor:
Miller Drake
Visual Effects Producer:
C. Marie Davis
Visual Effects Supervisor:
Andrew Adamson
Eric Durst
Boyd Shermis
Richard Chuang
David Stump
John Dykstra
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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