A work in constant progress (and occasional regress).
Release Date:
October 8, 2016
Original Title:
Autumn in the Vineyard
Genres:
Romance | TV Movie
Ratings / Certifications:
N/A
Runtime: 84
When Frankie Baldwin and Nate Deluca both have a claim to ownership of Sorrento Farm, they are forced to divide the vineyard right down the middle and work the fields alongside each other to bring in the harvest leading up to the Best Wine competition at the annual Autumn Harvest Festival -- only this rivalry won't be settled in the fields, because in spite of their contentious bickering, the simplest way to settle this particular legal dispute is with a romance.
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"A" Camera Operator:
Mark Lunn
"B" Camera Operator:
Tammy Jones
Assistant Costume Designer:
Clarissa Gallaccio
Assistant Editor:
Buket Topalakci Biles
Assistant Hairstylist:
Emily Franklin
Assistant Makeup Artist:
Vanessa Messina
Assistant Production Coordinator:
Brian Straumford
Assistant Property Master:
David Pfrimmer
Assistant Sound Editor:
Tony Rodney
Background Casting Director:
Stephanie Boeke
Best Boy Electric:
Geoff Dane
Best Boy Grip:
Morgan Schmidt-Feng
Boom Operator:
Eliah Matthew
Casting:
Kris Woznesensky
Kara Eide
Colorist:
Lorne Wright
Consulting Producer:
Marina Adair
Costume Designer:
Claudia Da Ponte
Craft Service:
Lori Walker-Duncan
Dialogue Editor:
Christine McLeod
Miguel Araujo
Director:
Scott Smith
Director of Photography:
Ron Stannett
Dolly Grip:
Ryan Hyrcan
Editor:
Lisa Robison
Executive Producer:
Michael Prupas
Suzette Couture
Rachael Leigh Cook
Jim Head
Shawn Williamson
Joel S. Rice
Scott Smith
First Assistant "A" Camera:
Tyler Meehan
Jonathan Yip
First Assistant "B" Camera:
Josh Knepper
Catherine Mallette
Selena Raskin
First Assistant Director:
Tim Whyte
Foley Artist:
Shane Shemko
Elaine Stef
Foley Editor:
James Neves
Foley Mixer:
Kevin Morales
Gaffer:
Knesha Yu
Grip:
Ben Herman
Austin De Pourcq
Key Grip:
Connor Thorpe
Key Hair Stylist:
Wayne Russell
Key Makeup Artist:
Sandy Cooper
Location Manager:
Christina Ollson
Music:
Jeff Tymoschuk
Novel:
Marina Adair
Online Editor:
Chris Boettcher
Payroll Accountant:
Suzanne Geba
Post Production Supervisor:
Shelby Gilraine
Jonathan Shore
Producer:
Trevor McWhinney
Jamie Goehring
Production Accountant:
Trudi Thorwaldson
Production Coordinator:
Roseanna O. Samantha Istance
Mara Perez
Production Design:
Jordan Bent
Production Manager:
Michelle Samuels
Property Master:
Joshua Callagan
Script Supervisor:
Kay Metchie
Second Assistant "A" Camera:
Dan Funk
Second Assistant "B" Camera:
Rose Athena
Second Assistant Director:
Claude M. Pavel
Security Coordinator:
Sean Hanlin
Set Costumer:
Shana Cornish
Set Decoration:
Meghan Patterson
Dawn Wright
Set Dresser:
Nathan Fenwick
Nicola Stilwell
Jesse Gange
Katarzyna Marciniak
Sound Designer:
Eva Madden
Sound Editor:
Kevin Barron
Sound Mixer:
Steven Weakes
Sound Re-Recording Mixer:
Rob Coxford
Matt Dawson
Daniel Cardona
Steadicam Operator:
Tammy Jones
Still Photographer:
Ricardo Hubbs
Third Assistant Director:
Clea Mihalik
Transportation Captain:
David Standfield
Brett Taylor
Transportation Coordinator:
Dean Fitzpatrick
Truck Costumer:
Jaden Devine
Unit Manager:
Christina Ollson
Visual Effects Supervisor:
Brett Keyes
Writer:
Suzette Couture
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.