A work in constant progress (and occasional regress).
Release Date:
May 17, 2019
Original Title:
We Have Always Lived in the Castle
Genres:
Horror | Mystery | Thriller
Production Companies:
Albyn Media
Furthur Films
Mighty Engine
Production Countries:
United States of America
Ratings / Certifications:
AT: 12 BR: 14 DE: 12 JP: G KR: 15 RU: 16+ US: NR
Runtime: 96
In Shirleyville, Vermont, during the sixties, sisters Merricat and Constance, along with their ailing uncle Julian, confined to a wheelchair, live isolated in a big mansion located on the hill overlooking the town, tormented by the memories of a family tragedy occurred six years ago. The arrival of cousin Charles will threaten the fragile equilibrium of their minds, haunted by madness, fear and superstition.
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Art Direction:
Louise Mathews
Casting:
Maureen Hughes
Costume Designer:
Eimer NĂ Mhaoldomhnaigh
Director:
Stacie Passon
Director of Photography:
Piers McGrail
Editor:
Ryan Denmark
Executive Producer:
Robert Halmi Jr.
Laurence Jackson Hyman
Kieran Corrigan
Michael Douglas
Jim Reeve
First Assistant Director:
Jonathan Shaw
Foley Artist:
Leslie Bloome
Gaffer:
Addo Gallagher
Grip:
John Foster
Hair Designer:
Eileen Buggy
Line Producer:
Suzanne McAuley
Makeup Designer:
Sharon Doyle
Music Supervisor:
Maggie Phillips
Novel:
Shirley Jackson
Original Music Composer:
Andrew Hewitt
Producer:
Jared Ian Goldman
Robert Mitas
Production Design:
Anna Rackard
Property Master:
Chan Kin
Screenplay:
Stacie Passon
Mark Kruger
Second Assistant Camera:
Trevor Murphy
Second Assistant Director:
Sophie Higel
Sound Designer:
Jacob Ribicoff
Michael McMenomy
Sound Re-Recording Mixer:
James David Redding III
Martin Czembor
Sound Recordist:
Hugh Fox
Still Photographer:
Bernard Walsh
Stunt Coordinator:
Alan Walsh
Unit Production Manager:
Eimear O'Kane
Visual Effects Supervisor:
Ed Bruce
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.