A work in constant progress (and occasional regress).
Release Date:
October 3, 2016
Original Title:
ID2: Shadwell Army
Genres:
Crime | Drama
Production Companies:
The Post Republic
Universal Pictures
Production Countries:
United Kingdom
Ratings / Certifications:
GB: 18
Runtime: 92
Long-awaited sequel to the 1995 film. A young British Asian, Mo is a fast-rising police officer who goes under cover infiltrating Shadwell's resurgent hooligan element, who are fired up by Shadwells's takeover by a Russian oligarch and their unlikely adventure into European competition. Mo quickly becomes embroiled in the local schism between the BNP and EDL and plans to build a new mosque in the shadow of the Shadwell ground creates an explosive environment in which football and political violence form a perfect storm of social unrest. In the midst of this, Mo is faced with the essential existential question of of who he really is and where he really belongs. It's 20 years on and clever Trevor is now chief super, but what happens to the rest of the gang?
Casting:
Leila Bertrand
Costume Design:
Sian Thomas
Costume Supervisor:
Terry Herfield
Dialogue Editor:
Sabrina Naumann
Director:
Joel Novoa
Director of Photography:
Petr Cikhart
Editor:
Brett Irwin
Foley:
Martin Langenbach
Gaffer:
Martin Kobylarz
Makeup Designer:
Marie Morgan
Music:
Freddy Sheinfeld
Producer:
Patrick Cassavetti
Sally Hibbin
Production Design:
John Ellis
Script Supervisor:
Ben Desmond
Sound Re-Recording Mixer:
Matthias Schwab
Special Effects Supervisor:
Ben Ashmore
Steadicam Operator:
Rupert Peddle
Still Photographer:
Jerome Whittingham
Supervising Sound Editor:
Christian Conrad
Writer:
Vincent O'Connell
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.