A work in constant progress (and occasional regress).
Release Date:
December 20, 2002
Original Title:
Le hasard fait bien les choses
Alternate Titles:
Le hasard fait bien les choses
Genres:
Comedy | TV Movie
Production Companies:
Flach Film
Production Countries:
Spain
Ratings / Certifications:
N/A
Runtime: 90
Jean-Pierre is a literature professor in Switzerland. Due to the vagarities of Swiss law, he is selected, basically at random, to be the guardian of a parentless teenage boy named Antoine. Conflict comes into the story as Jean-Pierre, who has just accepted a major promotion, must now deal with caring for a teenage boy he doesn't want to care for, as well as handling his own jealous boyfriend. Then his wife steps into the picture. Things get complicated from there as Jean-Pierre tries to get out of his guardianship.
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Assistant Director Trainee:
Thylane Zimmermann
Assistant Set Decoration:
Jean-Daniel Conus
Casting:
Nathanièle Esther
Jean-Laurent Chautems
Color Timer:
Jean-Marc Dufour
Costume Design:
Valérie De Buck
Director:
Lorenzo Gabriele
Director of Photography:
Denis Jutzeler
Dresser:
Florence Buholzer-Jöhr
Editor:
Catherine Mergler
Electrician:
Samy Emery
First Assistant Art Direction:
Magali Baud
First Assistant Camera:
Olivier Porchet
First Assistant Director:
Pierre Abela
Foley Artist:
Pascal Dedeye
General Manager:
Etienne Leduc
Grip:
Thomas Wagnieres
Key Grip:
Nil Henchoz
Key Hair Stylist:
Jean-Max Guérin
Key Makeup Artist:
Sonia Geneux
Music:
Thierry Malet
Original Story:
Julie Gilbert
Producer:
Jean-Marc Henchoz
Sylvette Frydman
Jean-François Lepetit
Production Design:
Paul Waelti
Production Manager:
Eric Dangremont
Props:
Gaby Seidel
Script Supervisor:
Colette Pittier
Second Assistant Director:
Jean-Laurent Chautems
Sound:
Christophe Giovannoni
Sound Editor:
Sandrine Henchoz
Sound Engineer:
River
Sound Mixer:
Thierry Sabatier
Steadicam Operator:
Nicolas Petsilas
Still Photographer:
Michel Israelian
Writer:
Philippe Le Dem
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.