A work in constant progress (and occasional regress).
Release Date:
March 6, 1992
Original Title:
Meatballs 4: To the Rescue
Alternate Titles:
Almôndegas 4: Férias de Verão
American Eiskrem 3 1/2
American Eiskrem 3,5
Happy Campers
Klopsy 4
Loucos até Debaixo D'água
Meatballs 4
Summer Vacation
男兒當出線
미트볼 4
썸머 아카데미
Genres:
Comedy
Production Companies:
Metro-Goldwyn-Mayer
Moviestore Entertainment
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 84
Ricky is the hottest water-ski instructor around and has just been rehired by his former employer/camp to whip up attendance. Unfortunately, the camp is in serious financial trouble. The owner of a rival, more popular camp wants to buy them out. Therefore they will have to engage in a mean, winner-takes-all competition that will settle the score once and for all.
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ADR Mixer:
Thomas Chan
ADR Voice Casting:
Barbara Harris
Assistant Director:
Dave 'Foots' Footman
Assistant Editor:
Tony Campbell
Assistant Foley Artist:
Jim Gore
Assistant Production Coordinator:
Natalie Kaluza
Assistant Production Manager:
Lisa Matsukawa
Associate Producer:
Kris Krengel
Best Boy Electrician:
Roger Meilink
Best Boy Grip:
Kenny Yakkel
Boom Operator:
Arnold A. Anderson
Color Timer:
Cathy Rait
Costume Design:
Angela Balogh-Calin
Costume Supervisor:
Shelly Boies
Director:
Bob Logan
Director of Photography:
Vance Burberry
Editor:
Peter H. Verity
Electrician:
Edward B. Bernstein
David P. Shannon
Executive Producer:
Ken Halloway
First Assistant Camera:
Linda Morgenstern
Tony Martin
First Assistant Director:
Kris Krengel
Foley Artist:
Andy Malcolm
Foley Mixer:
Lou Solakofski
Gaffer:
Mike Weaver
Grip:
Randall O. Littlejohn
Kevin Maynard
Hairstylist:
Vanessa Jane Welch
Key Grip:
Jeffrey Douglas
Leadman:
Kai Shelton
Makeup Artist:
Linda Hardy
Music Supervisor:
Harold Bronson
Lou Naktin
Original Music Composer:
Steve Hunter
Post Production Coordinator:
Lisa Zenoff
Producer:
Donald P. Borchers
Production Coordinator:
John Ching
Dave 'Foots' Footman
Elizabeth A. Gray
Larry Larson
Sazzy Lee Calhoun
Production Design:
Dorian Vernacchio
Deborah Raymond
Production Manager:
Bruce Wayne Gillies
Property Master:
Barbara Cole
Script Supervisor:
Cheryl Starbuck
Melissa Miller
Second Assistant Camera:
Tammy Fouts
Gregory A. Patrick
Second Assistant Director:
Richard S. Lederer
Daniel M. McCormack
Second Unit Director:
Kurt Bryant
Second Unit Director of Photography:
Scott Kaye
Set Decoration:
Jodi Ginnever
Set Dresser:
Deah Shimanek Shelton
Sound Mixer:
Beau Franklin
Sound Re-Recording Assistant:
Lou Solakofski
Sound Re-Recording Mixer:
Don White
Special Effects:
John C. Hartigan
Paul Hickerson
Joe Hickerson
Ken Larson
Still Photographer:
Suzanne England
Stunt Coordinator:
Kurt Bryant
Stunts:
Ted Barba
Scott Clack
Glory Fioramonti
Steve Kelso
Bob LaPoint
Daniel K. Moore
Linda Sahagen
Steve Walters
Wardrobe Assistant:
Janet Schriever
Bess Stansell
Writer:
Bob Logan
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.