A work in constant progress (and occasional regress).
Release Date:
August 5, 2016
Original Title:
The Remains
Genres:
Horror | Thriller
Production Companies:
Diablo Entertainment
EBF Productions
Production Countries:
United States of America
Ratings / Certifications:
DE: 18
Runtime: 85
After a family moves into an old Victorian home, they discover a chest in the attic containing antiques tainted by a malevolent spirit. As the antiques slowly possess each family member, the spirit grows stronger, hellbent on kidnapping the children.
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Art Direction:
Erin O'Donnell
Hasan Erol Unlu
Associate Producer:
Fadi R. Saab
Best Boy Electric:
Nick Seibel
Boom Operator:
Cary Daniels
Camera Technician:
Luca Spensieri
Casting:
Lindsey Weissmueller
Casting Associate:
Neely Eisenstein
Co-Executive Producer:
Neil Harrington
Color Timer:
Jason Knutzen
Derrick Sims
Compositors:
Luke Snailham
Darrell Wheat
Costume Coordinator:
Lauren Howard
Costume Design:
Dakota Keller
Director:
Thomas Della Bella
Director of Photography:
Derrick Sims
Editor:
Thomas Della Bella
Executive Producer:
Shawn Ebra
First Assistant Camera:
Alexander Sherman
Luca Spensieri
First Assistant Director:
Alexander Harrison Jacobs
Foley Editor:
Ashu Boni
Gaffer:
Sean Talbott
Grip:
Jake Basnett
Christopher Wess
Kevin B. Woodruff
Key Grip:
Alex Ojeda
Key Hair Stylist:
Sally Dalton
Key Makeup Artist:
Andrea Burish
Line Producer:
Moana Sherrill
Location Manager:
Sabin Gray
Music:
Giona Ostinelli
Producer:
Eric B. Fleischman
Sean Tabibian
Production Design:
Liz Toonkel
Property Master:
Drew Klopfer
Robert St. Laurent
Script Supervisor:
Laura Jean Bransky
Second Assistant Director:
Colin Flaherty
Set Dresser:
Nina Caussa
Samantha Cubias
Rowan Doyle
Evi Elias
Angelica Torres
Sound Mixer:
Pete Orlanski
Still Photographer:
Nick Cinelli
Stunt Coordinator:
Karl Ramsey
Writer:
Thomas Della Bella
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.