A work in constant progress (and occasional regress).
Release Date:
January 1, 1999
Original Title:
Girotondo: Giro Attorno al Mondo
Genres:
Drama
Production Companies:
Arcopinto
Axelotil Film
Shooting Hope Productions
Production Countries:
Italy
Ratings / Certifications:
IT: 18+
Runtime: 80
Angelo is an orphan who grew up with a nomad woman. He reacts to his pain over the death of his best friend for overdose, thanks to the encounter with Serena. She survives being a prostitute, but she has not lost hope. Angelo moves along an axis of characters in a desolate and poetic day without end.
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Assistant Camera:
Gianni Angeloni
Bruno Geiregat
Jean-Paul Vallorani
Assistant Editor:
Roberto Pelliccioni
Assistant Production Manager:
Anouk Tanguy
Cinematography:
Arnaldo Catinari
Florent Herry
Atsushi Takaoka
Director:
Davide Manuli
Director of Photography:
Arnaldo Catinari
Florent Herry
Atsushi Takaoka
Editor:
Claudio Di Mauro
Karine Allenbach
Riccardo Giannetti
Rosella Mocci
First Assistant Camera:
Jean-Paul Vallorani
First Assistant Director:
Jérôme Duranteau
Idea:
Davide Manuli
Music:
Massimiliano Cigala
Govinda
Danilo Leonoro
Romerlin
Giovanni Venosta
Music Producer:
Massimo Mariani
Producer:
Davide Manuli
Gianluca Arcopinto
Production Assistant:
Antoine Aize
Production Secretary:
Cinzia Del Curatolo
Recording Supervision:
Alessandro Bonfanti
Theo Francocci
Screenplay:
Davide Manuli
Second Assistant Director:
Cesare Apolito
Sound:
Mario Iaquone
David Sebag
Sound Assistant:
Stéphane Christophe
Luigi Melchionda
Sound Editor:
Gianluca Carbonelli
Sound Effects Editor:
Paolo Amici
Daniele Quadroli
David Quadroli
Story:
Davide Manuli
Thanks:
Mickaël Cohen
Alessandro Enginoli
Gipo Fasano
Edoardo Mantelli
Benoît Renaud
Stefano Rulli
Writer:
Davide Manuli
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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