A work in constant progress (and occasional regress).
Release Date:
March 10, 1989
Original Title:
La chiesa
Alternate Titles:
A Catedral
Demons 3: The Church
El engendro del diablo
Pandemonium
Sanctuaire
The Church
デモンズ3
Genres:
Horror
Production Companies:
ADC Films
Cecchi Gori Group Tiger Cinematografica
Reteitalia
Production Countries:
Italy
Ratings / Certifications:
GB: 18 IT: VM14 PT: M/16 US: R
Runtime: 102
In a Gothic cathedral built on the mass grave of a Teutonic purge, an ancient discovery by the new librarian will release an unholy maelstrom of madness, violence and demonic vengeance.
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Assistant Camera:
Alfonso Vicari
Maurizio Cremisini
Assistant Director:
Filiberto Fiaschi
Assistant Set Designer:
Daniela Giovannoni
Boom Operator:
Claudio Paolucci
Camera Operator:
Alessandro Carlotto
Enrico Maggi
Carpenter:
Antigone Predatori
E. Tappezzeri
Continuity:
Marisa Calia
Costume Design:
Maurizio Paiola
Dialogue Editor:
Nick Alexander
Director:
Michele Soavi
Director of Photography:
Renato Tafuri
Editor:
Franco Fraticelli
First Assistant Editor:
Piero Bozza
Gaffer:
Fernando Massaccesi
Hairstylist:
Piero Cucchi
Assunta Emidi
Key Grip:
Augusto Proietti
Makeup Artist:
Laura Borselli
Franco Casagni
Rosario Prestopino
Barbara Morosetti
Original Music Composer:
Keith Emerson
Fabio Pignatelli
Philip Glass
Presenter:
Dario Argento
Producer:
Dario Argento
Vittorio Cecchi Gori
Mario Cecchi Gori
Production Accountant:
Carlo Du Bois
Production Design:
Massimo Antonello Geleng
Production Secretary:
Daniela Rocco
Ezio Orita
Production Sound Mixer:
Giulio Viggiani
Props:
Fabio Altamura
Osvaldo Monaco
Screenplay:
Michele Soavi
Franco Ferrini
Dario Argento
Set Dresser:
Caterina Napoleone
Sound Effects Editor:
Luca Anzellotti
Special Effects:
Renato Agostini
Sergio Stivaletti
Danilo Bollettini
Massimo Cristofanelli
Steadicam Operator:
Nicola Pecorini
Still Photographer:
Franco Vitale
Story:
Dario Argento
Franco Ferrini
Stunt Coordinator:
Arnaldo Dell'Acqua
Unit Manager:
Saverio Mangogna
Unit Publicist:
Enrico Lucherini
Gianluca Pignatelli
Wardrobe Assistant:
Claudio Antonucci
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.