A work in constant progress (and occasional regress).
Release Date:
December 17, 1971
Original Title:
Sometimes a Great Notion
Alternate Titles:
Hårdt mod hårdt
Hårt mot hårt
Never Give an Inch
Genres:
Action | Adventure | Drama
Production Companies:
Newman-Foreman Company
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
DE: 12 US: PG
Runtime: 114
Hank Stamper and his father, Henry, own and operate the family business by cutting and shipping logs in Oregon. The town is furious when they continue working despite the town going broke and the other loggers go on strike ordering the Stampers to stop, however Hank continues to push his family on cutting more trees. Hank's wife wishes he would stop and hopes that they can spend more time together. When Hank's half brother Leland comes to work for them, more trouble starts.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Art Direction:
Philip M. Jefferies
Assistant Director:
Michael D. Moore
Associate Producer:
Frank Caffey
Co-Executive Producer:
Paul Newman
Costume Design:
Edith Head
Director:
Paul Newman
Director of Photography:
Richard Moore
Editor:
Bob Wyman
Hair Designer:
Jim Markham
Hairstylist:
Gae Clark Butler
Makeup Artist:
Monty Westmore
John Inzerella
Novel:
Ken Kesey
Original Music Composer:
Henry Mancini
Producer:
John Foreman
Screenplay:
John Gay
Set Decoration:
William Kiernan
Special Effects:
Ben McMahan
Don Wolz
Stunt Coordinator:
M. James Arnett
Stunts:
Terry Leonard
Hal Needham
Fred Lerner
Roy Jenson
Everett Creach
Gary McLarty
Jim Burk
Mickey Gilbert
Dick Hudkins
J.N. Roberts
Stan Barrett
Carol Daniels
Bennie E. Dobbins
Alan Gibbs
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.