A work in constant progress (and occasional regress).
Release Date:
May 17, 2016
Original Title:
Cyborg X
Alternate Titles:
Киборг X
Genres:
Action | Horror | Science Fiction
Production Companies:
Arrowstorm Entertainment
Parking Garage Pictures
The Klimax
Production Countries:
United States of America
Ratings / Certifications:
DE: 18 GB: 18 JP: R15+ NL: 16 US: NR
Runtime: 90
After X-Corp, a radical weapons manufacturer, is taken over by a Cyber Virus, a group of survivors must fight to save humanity from the army of Machines the Virus now controls.
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ADR Mixer:
Owen Peterson
ADR Recordist:
Patrick Sexton
Assistant Art Director:
Benjamin Hole
Associate Producer:
David Foley
Boom Operator:
Andrew Hook
Construction Coordinator:
Adam Stewart
Costume Design:
Cheri Julander
Dialogue Editor:
Jared Olson
Director:
Kevin King
Director of Photography:
Stelios Xanthos
Drone Operator:
Jeff Taggart
Edward Bogue
Editor:
Raymund Delmar
Executive Producer:
Jason Faller
Kynan Griffin
First Assistant Camera:
Giordano Salvatori
First Assistant Director:
Joshua Moroni Watso
Foley Artist:
Karyn Angell
Gaffer:
Kyle Raney
Graphic Designer:
Chad Keyes
Hairstylist:
Jamie Libby
Key Grip:
Merrill S. Nielson
Makeup Artist:
Ambria Powell
Makeup Department Head:
Abigail Steele
Original Music Composer:
Christopher Doucet
Producer:
Kevin King
John H. Virgo
Property Master:
Zachary Paraskeva
Script Supervisor:
Royce Jones
Second Assistant Camera:
Stephanie Paige Cabanilla
Set Decoration:
Benjamin Hole
Set Dresser:
Larry Filion
Sound Designer:
Jacob Paul Proctor
Sound Effects Editor:
Jared Olson
Sound Mixer:
Shelley Hansen
Special Effects Makeup Artist:
Kory Gregersen
Ambria Powell
Still Photographer:
Dave Brewer
Dave Tucker
Erin Ross
Visual Effects:
Jacob Dickey
Gordon Dunn
Rob Field
Writer:
Kevin King
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.