A work in constant progress (and occasional regress).
Release Date:
May 14, 2012
Original Title:
Obsceno
Ratings / Certifications:
N/A
Runtime: 9
Obscene opens and closes in the shadow of an old 35 mm film in black and white, where the mind of a man is crossed by an eye looking at the screen, which fades inside it at the end of the movie. The deconstruction has been made through the use of a MiniDv camera, which shoots some porn movies, focusing exclusively on some anatomical details. During the shoot, super 8 and 35mm amateur old movies have been used and their frames were physically overlapped to the optics of the camera, determining the transparency of color and brightness. Other analogical filters, such as magnifying and distorting ones, old lenses of cameras, cardboard tubes and plastic, glass jars and colored plastics have been used. This technique follows the obscene in a less recognizable physical space, towards abstraction.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.