A work in constant progress (and occasional regress).
Release Date:
May 17, 2016
Original Title:
The Removals
Production Companies:
Two Dollar Radio
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 63
Part-thriller, part-nightmarish examination of the widening gap between originality and technology, The Removals imagines where we go from here. A secretive, nefarious agency seeks to control the culture. They do this by covertly staging reproductions of everyday events, and by so doing, undermining the moment’s originality and currency. Society is then left to puzzle over what might be real, and what is fake. The agency employs symbols—like the fascists, like imperial powers of the past—notably a red cone, to plant their flag upon the moment. Two agents, Kathryn and Mason, exhausted by the toll each removal has taken from them, quietly, and then overtly, set out to undermine the agency. Haunting, engaging, and with a ferocity of vision that calls to mind the cerebral thrillers of Shane Carruth, David Lynch, or Andrei Tarkovsky, Nicholas Rombes’s directorial debut is a spellbinding new work and apt analogy for the wormhole where modern social communication leads.
Cinematography:
Mike Shiflet
Director:
Nicholas Rombes
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.