A work in constant progress (and occasional regress).
Release Date:
September 20, 1985
Original Title:
Figlio mio, infinitamente caro...
Alternate Titles:
Absturz in die Hölle
Figlio mio infinitamente caro
Genres:
Drama
Production Companies:
Ager Cinematografica
Istituto Luce CinecittÃ
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 113
A respectable lawyer finds out his son is a heroin addict. Heartbroken, he'll do anything to help his only child, even if it means sharing his hell.
Assistant Camera:
Renato Palmieri
Assistant Director:
Franco Di Dio
Enzo Cicchino
Assistant Editor:
Alessandra Perpignani
Assistant Production Design:
Elisabetta Ballanti
Camera Operator:
Antonio Annunziata
Coordinating Producer:
Mafalda Inguscio
Costume Design:
Lina Nerli Taviani
Director:
Valentino Orsini
Director of Photography:
Luigi Kuveiller
Editor:
Roberto Perpignani
First Assistant Editor:
Loredana Cruciani
Gaffer:
Sergio Coletta
Hairstylist:
Luciana Maria Costanzi
Key Grip:
Umberto Torriero
Line Producer:
Grazia Volpi
Makeup Artist:
Cesare Paciotti
Original Music Composer:
Guido De Angelis
Maurizio De Angelis
Producer:
Giuliani G. De Negri
Production Accountant:
Danilo Martelli
Production Assistant:
Marco Vernizzi
Production Design:
Gianni Sbarra
Production Secretary:
Egle Friggeri
Alfredo Grassini
Screenplay:
Valentino Orsini
Vincenzo Cerami
Giuliani G. De Negri
Script Supervisor:
Jacqueline Perrier
Seamstress:
Maura Zuccherofino
Sound:
Gianni Sardo
Sound Mixer:
Fausto Ancillai
Still Photographer:
Umberto Montiroli
Story:
Valentino Orsini
Furio Scarpelli
Unit Production Manager:
Barbara Galassi Beria
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.