A work in constant progress (and occasional regress).
Release Date:
September 10, 2017
Original Title:
Woman Walks Ahead
Alternate Titles:
A nő, aki előttünk jár
Die Frau, die vorausgeht
Mulher segue à frente
Uma Mulher Exemplar
ウーマン・ウォークス・アヘッド
앞서 걷는 여인
Genres:
Drama | History | Western
Production Companies:
Bedford Falls Productions
Black Bicycle Entertainment
Potboiler Productions
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AT: 12 CA: R DE: 12 IL: הותר לבני 12 ומעלה|מתאים לצפייה מגיל 14 PT: M/12 RU: 18+ US: R
Runtime: 103
Based on a true story, this riveting western follows a headstrong New York widow as she journeys west to meet Sioux chief Sitting Bull, facing off with an army officer intent on war with Native Americans.
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Art Direction:
Billy W. Ray
Costume Design:
Stephanie Collie
Costume Supervisor:
Barcie Waite
Director:
Susanna White
Director of Photography:
Mike Eley
Editor:
Lucia Zucchetti
Steven Rosenblum
Executive Producer:
Susan Kirr
Peter Hampden
Norman Merry
Rory Aitken
Lisa Wolofsky
Makeup Artist:
Katie Douthit
Makeup Department Head:
Linda Dowds
Original Music Composer:
George Fenton
Producer:
Andrea Calderwood
Erika Olde
Marshall Herskovitz
Richard Solomon
Edward Zwick
Production Design:
Geoffrey Kirkland
Production Sound Mixer:
Bayard Carey
Screenplay:
Steven Knight
Set Costumer:
Michelle Kelly
Kim Trujillo
Brian Barela
Set Decoration:
Wilhelm Pfau
Set Designer:
Brooke Peters
Set Dresser:
Rachel Lively
Scott Christopher Clark
Kevin Duran
Chris Reisz
Joshua Swanson
Sound Designer:
Matis Rei
Sound Effects Editor:
Brian Gilligan
Sound Re-Recording Mixer:
Robert Farr
Supervising Sound Editor:
Andy Shelley
Stephen Griffiths
VFX Editor:
Andie Davies
Visual Effects Producer:
Paul Driver
Visual Effects Supervisor:
Sheila Wickens
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.