A work in constant progress (and occasional regress).
Release Date:
March 19, 2008
Original Title:
L'Occitanienne
Alternate Titles:
L'occitanienne, le dernier amour de Chateaubriand
Genres:
Drama
Production Companies:
Clairsud
Panocéanic Films
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 90
One stormy evening in 1829, the aging writer René de Chateaubriand, takes refuge in a mountain retreat at Cauterets, a small town in the Pyrenees. Here, he meets Léontine de Villeneuve, an aristocratic woman forty years his junior, who ignites his passion and who seems to be as equally attracted to him. Under the watchful gaze of the maître d'hôtel, Chateaubriand embarks on what will be his last great love affair, with a woman he will later refer to in his writings as L'Occitanienne.
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Assistant Camera:
Patrick Caron
Benoit Torti
Assistant Decorator:
Emma Chauby
Jean-Sébastien Dumanchin
Assistant Director:
Alain Doussière
Boom Operator:
Léo Cormenier
Camera Operator:
Raphaël Bauche
Carpenter:
Guy Bouchet
Casting Assistant:
Laurent Périssé
Color Timer:
Natacha Louis
Director:
Jean Périssé
Director of Photography:
Jean-Francis Gondre
Editor:
Alain Doussière
Electrician:
Stéphane Gauthron
Gabriel Naud
Patrick Pellegrin
First Assistant Director:
Fabrice Grange
Foley Artist:
Pascal Dedeye
Foley Recordist:
Stéphanie Roumiguière
Gaffer:
Grégory Alonso
Grip:
Mehdi Mohamed
Key Grip:
Pascal Payet
Makeup & Hair:
Sébastien Husson
Production Design:
Thierry Battaglia
Property Master:
Guy Vanderplaetsen
Script Supervisor:
Fanny Picon
Sound:
Stéphane Roche
Sound Editor:
Lidwine Hô
Sound Mixer:
Jean-Marc Dussardier
Special Effects:
Jean-Gabriel Tordjman
Unit Manager:
Nathalie Aubaret
Writer:
Jean Périssé
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.