A work in constant progress (and occasional regress).
Release Date:
April 15, 2016
Original Title:
Tabloid Vivant
Genres:
Comedy | Drama | Horror | Mystery | Thriller
Ratings / Certifications:
N/A
Runtime: 105
Max is an artist seduced by the allure of fame. Sara is an art critic whose obsessions exceed even his. When she lands a writing gig at a major art magazine, the pair retreats to a cabin in the woods, where Max reveals his strange new painting method. Convinced of its potential, she agrees to collaborate on a piece sure to revolutionize the art world. While both original and mesmerizing, the project reveals something dark and disturbing about their relationship. Like two digital-age Frankensteins, they manage to make a painting come alive - though the unsettling consequences of their success may be more fit for the pages of a blood-soaked tabloid than the chronicles of art history.
ADR Recordist:
Brian Starley
Assistant Camera:
Ben Iker
Assistant Makeup Artist:
Nikki Parish
Mila Grass
Camera Operator:
Laura Beth Love
Director:
Kyle Broom
Director of Photography:
Laura Beth Love
Editor:
Lillian Armstrong Black
First Assistant Camera:
Ben Iker
Kira Murdock
Gaffer:
Matt Grace
Grip:
Irving Anguiano
Randy Garcia
Yoshi Isomura
Makeup Artist:
Aubrie Davis
Jennifer Suarez
Music:
Susie Ibarra
Production Assistant:
Nikki Estrada Martin
Jacob Rosenthal
Melissa K. Webb
Production Design:
Beth Gersten
Set Decoration:
Beth Gersten
Sound Designer:
Peter Mullen
Sound Editor:
Peter Mullen
Brandon Lee Thornton
Sound Effects Editor:
Peter Mullen
Sound Mixer:
Jacob Nerstheimer
Special Effects:
Marcus Koch
Special Effects Coordinator:
Marcus Koch
Supervising Sound Editor:
Peter Mullen
Visual Effects:
Mike Verta
Writer:
Kyle Broom
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.