A work in constant progress (and occasional regress).
Release Date:
November 1, 1989
Original Title:
A Sting in the Tail
Genres:
Comedy
Production Companies:
Rosa Colosimo Films
Production Countries:
Australia
Ratings / Certifications:
N/A
Runtime: 90
Diane Lane is intelligent and ambitious. When she is elected to Parliament her idealism and commitment give her unpopular party a boost. Everyone, including the Prime Minister, is eager to share her limelight. Diane’s ambition is not satisfied with her new position. Diane’s married lover, Barry Robbins, the Minister for Health, is unaware of Diane’s ultimate plan. Her closest friend, Louise Parker, a political journalist, is a bit more realistic about what women can achieve; she too has a higher goal in mind.
Assistant Editor:
Annette Kelly
Lanni Smith
Assistant Sound Editor:
Annette Kelly
Lanni Smith
Best Boy Electric:
Andrew Robertson
Boom Operator:
Scott Piper
Color Grading:
Ian Letcher
Continuity:
Heather Oxenham
Costume Design:
Anita Fioravanti
Director:
Eugene Schlusser
Director of Photography:
Nicholas Sherman
Editor:
Zbigniew Friedrich
First Assistant Director:
Arthur d'Aprano
Focus Puller:
Michael Kelly
Gaffer:
Tom Moody
Key Grip:
Freddo Dirk
Makeup Artist:
Ann-Maree Hurley
Music:
Allan Zavod
Producer:
Rosa Colosimo
Reg McLean
Production Assistant:
Jo Horsburgh
Production Design:
Lisa Brennan
Production Manager:
Alison Sadler
Publicist:
Silvana Scibilia
Runner Art Department:
Anthony Lawler
Kirsty McLean
Screenplay:
Patrick Edgeworth
Sound:
Phil Heywood
Sound Mixer:
James Currie
Sound Recordist:
Michael Piper
Still Photographer:
Tom Moody
Story:
Patrick Edgeworth
Eugene Schlusser
Reg McLean
Rosa Colosimo
Title Designer:
Oliver Streeton
Unit Manager:
Jules Wurm
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.