A work in constant progress (and occasional regress).
Release Date:
March 24, 1975
Original Title:
Ένα Τανκς στο Κρεβάτι μου
Alternate Titles:
Ena tanks sto... krevvati mou
Ένα Τανκς Στο Κρεβάτι Μου
Ενα Τανκς στο... Κρεβάτι μου
Genres:
Comedy | Romance
Production Companies:
Finos Film
Production Countries:
Greece
Ratings / Certifications:
N/A
Runtime: 97
Kostas is a law-abiding citizen, a quite man living with his mother, his sister Kaiti and his younger brother, Giorgos, who is a student. He works day and night at his kiosk, living to his bone the everyday reality and troubles of the period. He is in love with Eleni and wants to marry her, but he has to wait until Kaiti is married to Leonidas, her extremely conservative fiancé. The military coup of April 1967 forces Kostas to take the side of the winners, hanging, each time, the picture of their most powerful leader, while Giorgos joins a resistance group that sets up bombs. Giorgos’ actions puts Kostas in big trouble.
Assistant Camera:
Pavlos Zaras
Assistant Director:
Aris Hatzopoulos
Assistant Editor:
Kostas Iordanidis
Ersi Fotiou
Assistant Sound Engineer:
Mimis Kimouliatis
Cinematography:
Nikos Gardelis
Director:
Giannis Dalianidis
Editor:
Petros Lykas
Electrician:
Yorgos Angelou
Stefanos Alexandrou
Makeup Artist:
Nikos Xepapadakos
Music:
Mimis Plessas
Production Manager:
Markos Zervas
Property Master:
Pantelis Palierakis
Set Decoration:
Markos Zervas
Sound Engineer:
Thanasis Georgiadis
Sound Recordist:
Mimis Kasimatis
Still Photographer:
Mimis Antoniou
Kostas Sakadakis
Title Designer:
Aris Alayannis
Writer:
Giannis Dalianidis
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.